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Some family secrets are supposed to stay buried.

Sam’s having a rough time. Her post-graduate fieldwork in archaeological entomology is on hold, and so she makes the long trans-Texas drive from Arizona back to North Carolina to live with her mother until the work has funding again. Sam’s mother is living in her own mother’s old house now that Gran Mae is dead, and is happy to have Sam come back home for however long it will last.

The problem is that the house no longer feels like home for Sam. With blandly-painted walls (ugh, ecru), and familiar knickknacks out of sight, the house itself seems to be telling her that something is wrong. Never mind her mom’s behavioral regressions to the days of Gran Mae’s life, or the vultures that are hanging out in the neighborhood. There’s also Gran Mae’s rose garden, which, while stunningly beautiful as ever, is suspiciously devoid of insect life (trust Sam on this one, she’s an entomologist, after all).

Before long, Sam begins to have dreams of her grandmother, and remembers things she said. “The roses say to say your prayers,” and “the underground children will get you…” and not-so-startling fatphobia linger in her memory. But how much of that was real? All is clearly not well on Lammergeier Lane, and Sam is determined to find the answers. Negotiating Southern hospitality and prejudices and overcoming her own fears will be critical.

A House With Good Bones is a quick, fun horror read, y’all. T. Kingfisher has put together one fantastic ride. I loved following Sam on her journey through her family’s past as she strove to save her mom and herself from a disturbing legacy. Not to mention that I will never look at ladybugs (Coccinellidae) the same way again.

My utmost thanks to NetGalley and to the folks at MacMillan/Tor for an eARC of A House With Good Bones in exchange for a fair review. You can snag a copy for yourself starting on March 28th.

What? Something that’s not a book review? Shocking, I know.

It’s been a busy start to the year. By that, I mean the last two months have been chaotic as fuck. My library job is going well, but I’m doing some extra work on top of my regular stuff, meaning that I have a former part-time coworker and I’m in charge of handling her job duties until her replacement can be hired and trained. It’s been exhausting, but my manager is being very supportive and is trying to make sure that I have as much help as I need so that my teen services tasks don’t fall behind.

I’ve been playing through some older video games again this past couple of weeks. I finished a replay of Batman: Arkham Asylum and am almost done with Arkham City now. I haven’t played it since launch, so this is my first time getting to go through the Game of the Year edition special content, like the Catwoman missions. I’m also celebrating the release of Metroid Prime on the Switch by replaying the classic GameCube version. This will be my third (I think, maybe fourth) time playing through that one, and I’m happy to see how well it holds up, even before the remaster. Metroid Prime was the first game I ever played on the GameCube, thanks to a demo setup at Walmart when I was younger, and one of the first titles I purchased when I finally owned the system myself.

V and I got the chance to watch Clerks 3 last week. For the record, I never saw the original until I was in college. I had some osmotic knowledge of it thanks to classmates dropping references (“I’m not even supposed to be here today!”) throughout our theatre rehearsals. It wasn’t until the sequel was releasing that I first watched Clerks, just in time to play through Gears of War and catch the “My Love for You is Like a Truck” achievement. Kevin Smith remains a favorite film director, and Clerks 3 was no exception. From opening with a montage set to “The Black Parade” by fellow New Jerseyans My Chemical Romance to cameos from damn near every character from the first two movies, it was absolutely fantastic. Dante and Randal have not been figures in my life as long as some, but they’re still old friends at this point. Smith’s inclusion of his own experiences with a massive heart attack and the background of the creation of the original Clerks movie make for a spectacular capstone to the series.

One last bit for today. Season 3 of the The Mandalorian started last week. I’m on the Quest Me podcast recapping Mando and Grogu’s adventures every Sunday night at roughly 7:30 PM MST. You should come hang out with us. I’ve gotten upgraded from occasional guest to full-time guest host! It’s nerdy Star Wars fun.

See you soon!

I’ve followed Sim Kern on Twitter for a while, and so when they put an open call out for ARCs of Seeds for the Swarm last year, I jumped at the chance. What a perfect companion piece to Annalee Newitz’s The Terraformers. Climate change fiction (or cli-fi), is a hot topic, and Sim handles it marvelously.

Sassparylla “Rylla” McCracken lives in The Dust, a dried-out portion of the United States devastated by manmade climate disasters. Specifically, Rylla and her mom live in a trailer house in Texas, near what remains of the Guadalupe River outside of Austin. Rylla is a high school senior, attending virtual classes and spending her free time studying the insects and other wildlife that are managing to survive in the harsh, dry climate. When she learns that a new piece of corporate legislation is aiming to dam up what’s left of the river, Rylla begs her brother Tyler for a ride to the state capitol, where she delivers an impassioned speech to the apathetic legislature.

Thanks to a video edit of her speech at the capitol going viral, Rylla is approached by representatives from Wingates University, a school located deep in the Lush States where water and other resources are still abundant. Before she knows it, Rylla is whisked away to Michigan, where she is quickly overwhelmed by how different of a world her classmates come from. Rylla is placed in the Humanities department at Wingates, where she is tasked with studying the behaviors that lead to the current state of the world. She also befriends a group of engineering students working on different types of new technologies that they believe can save the planet and the human race.

After a trip through the campus transport system goes wrong, the existence of a secret series of laboratories deep beneath Wingates is uncovered. Soon, Rylla and her classmates finds themselves caught up in a conspiracy of nanotechnology, bioengineering, and political intrigue that could very readily lead to a new civil war, with Rylla’s mother and brother stranded in The Dust. As if just going to college and juggling a social life and homework wasn’t stressful enough…

Seeds for the Swarm is a brilliant piece of climate-focused science fiction, taking an unflinching look at what our world could look like in a few short decades. Rylla is a delightfully and frustratingly human protagonist, reminding me of many of my own college friends (though we didn’t have world-ending tech at our fingertips). Her struggles to fit in among her fellows at school are fantastically well-rendered and realistic. Kern’s vision of the near-future manages to still stay hopeful, even in the face of overwhelming odds.

Seeds for the Swarm is available from Stelliform Books on Wednesday, March 1st. Get it from your library or bookstore of choice, and enjoy.

My utmost thanks to Sim and to Ren Hutchings at Stelliform Books for an eARC in exchange for a fair review.

I am utterly broken by this book.

Maybe it’s because I was the farm kid who left that life behind. Maybe it’s because I’m a parent, and I can’t help thinking that I’m not doing enough for my children. Maybe it’s because Kelly Barnhill just has a way with words that makes me want to weep.

The Crane Husband is a fairy tale set in the near future of the midwestern US. The protagonist, a young girl of fifteen, is doing her best to help manage what’s left of the family farm, raise her nine-year-old brother, Michael, and promote and sell her mother’s art. She misses her father, who died several years before, and wonders about the life she might’ve had if he hadn’t succumbed to illness.

Everything about her life changes drastically when her mother brings home a crane dressed in a hat and glasses and her dad’s shoes, telling her and Michael that they can call the crane “Father.” Soon, their mother’s life is upended by the arrival. Their mother has taken lovers in the past, but none of them stayed long. The crane is different, and not just because he’s a bird. She withdraws from her time with her children, leaving her daughter to cope and take care of Michael. She stops helping around the farm, and neglects her own health, all to please the crane’s whims. Our protagonist must learn the hardest lessons about what she’s willing to tolerate and what sacrifices can or should be made for family.

This novella is beautiful, and haunting in the best way. It’s a powerful retelling of the story of the crane wife, but it transcends the bounds of the original story and encompasses a new view of heartache, labor, gender expectations, and love.

The Crane Husband will be in stores on February 28th. You’ll want to read this one, but brace yourself. Nothing is what it seems. My thanks to both NetGalley and Tordotcom for an advance copy in exchange for a fair review.

It’s spooky season!

Yes, I know it’s February, but the joy that is Halloween cannot possibly be contained in a single day, let alone a single month. Especially not when there’s a new Stephen Graham Jones book to be had.

I’ve read a lot of SGJ’s work over the last few years. From Mapping the Interior to The Only Good Indians to My Heart is a Chainsaw to Night of the Mannequins. He has rapidly become my favorite modern horror writer, and Don’t Fear the Reaper only serves as further evidence of his brilliance.

When I first picked up My Heart is a Chainsaw back in 2021, it started a string of slasher movie viewings as, like Jade, I immersed myself in things like Halloween, Friday the 13th, A Nightmare on Elm Street, The Texas Chain Saw Massacre, Candyman, Scream, and Children of the Corn. Unlike Jade, I wasn’t trying to hide from my trauma within the slasher genre. But at the end of that novel, Jade had faced her demons, triumphed over the threat to her home. She had faced the killer and survived. She was the final girl.

But as any slasher fan knows, there’s nothing more common in the films than a sequel…

Now, four years have passed since the Independence Day Massacre shattered the town of Proofrock, Idaho. Four years since Jade opened the dam above Indian Lake, saving the town from a rapidly spreading wildfire. Four years since she was accused of murdering her abusive father that night on the water. Going by her birth name of Jennifer again, our final girl has come back home to a town that has tried to move on, but is still obviously traumatized. Jennifer herself has tried to move on as well. She abandoned her collection of movies, finished her associate’s degree (it looked good for the courts, after all), and strives to connect with people and events in real life. She wants to find a home again, to reconnect with Letha and Sheriff Hardy, and even her mom.

It’s December 12th, 2019 in Proofrock, and the snow has complicated things for the citizens. Not only has it disrupted the usual Thursday by blocking most of the traffic through town, but it also interrupted the prisoner transfer of one Dark Mill South, a hook-handed serial killer. Given where his convoy was when an avalanche wiped out the escort, Dark Mill South should be dead too. No one thinks to look for him in town until after the first high schoolers start turning up dead. And tomorrow is Friday the thirteenth…

“The way I see it, someone’s out to make a sequel. You know, cash in on all the movie murder hoopla. So, it’s our job to observe the rules of the sequel. Number one: the body count is always bigger. Number two: the death scenes are always much more elaborate. Carnage candy. And number three: never, ever, under any circumstances, assume the killer is dead.” – Randy Meeks, Scream 2

Caught in between the desire the move beyond her past and the need to protect her friends and family, Jennifer is forced to confront a killer again, but this one knows the rules just as well as she does. After four years away from the movies that she used to wield as weapons, there may be some new tricks she hasn’t learned. Don’t Fear the Reaper is a pitch-perfect follow-up to Chainsaw, and a solid second entry in a planned trilogy, leaving readers eager to learn what’s next for Jade and the people of Proofrock. It’s out in stores today.

My utmost thanks to Gallery Books and NetGalley for providing an eARC of Don’t Fear the Reaper in exchange for an honest review. This one was an absolute treat.

And yes, I started reading this one in the middle of a power outage, by kerosene lamp light, as is only proper for good horror.

Dear readers, I have done myself a disservice by not reading Annalee Newitz’s work before now. I had picked up a copy of Autonomous from my library back in 2017, but I never managed to get around to it. Now, I know that I have to come back. Newitz is a phenomenal world builder, and in their latest book, The Terraformers, they do it literally.

The Terraformers tells the story of Destry, a sort of forest ranger of the future. Destry lives on the planet Sask-E (or Sasky, as most of the locals have taken to blending the name), and along with her partner, a moose named Whistle, she has spent centuries carefully guiding the ecosystems into an Earth-like state. Destry and Whistle are members of the Environmental Rescue Team, or ERT, and on Sasky, they work under the corporate authority of Verdance, a real-estate company that deals in planets.

Destry and Whistle are used to working on a slow scale, shaping a world in a way that maintains its harmony. Neither of them is expecting the sudden shift in Sasky politics when a city full of older ERT rangers is found, hidden away from Verdance’s knowledge. Soon, the two are caught up in a storm of corporate ideology, civil rights, and what it means to be a person on a planet that’s isolated from the rest of the universe. After all, terraforming is long series of violent actions, forcing a world into the condition you desire. The tools that are used can be deadly in the wrong hands.

The Terraformers is a deep dive into politics and relationships the likes of which I haven’t read since Ursula K. LeGuin’s The Left Hand of Darkness. It’s the story of a planet that spans centuries and generations. It’s dense, queer, sad, and beautiful. My utmost thanks to the folks over at NetGalley and Macmillan-Tor/Forge for providing me with an eARC in exchange for a fair review. It’s out today. Go check it out.

The Beyond is ever-shifting, a fluctuating space of deadly light and impassible dark, filled with dangerous creatures. An adventuring party must consist of six members in order to venture across the Beyond. One Gate (to open the way and find the paths in the shifting wilderness), one Ghost (who becomes a silent, intangible scout once in the Beyond), one Shotgun (the party’s primary combatant), one Voice (the polyglot communications specialist), one Lantern (to light the way), and one Keeper (who remains behind at the group’s Keep, maintaining a stable entry platform that bridges the Beyond and the solid reality of the Realms. These six members make a Hex. Why six? Something about the magic that the dragons use to travel through the Beyond on their own can only be replicated by a group of six. Too many more than that, and the Beyond can destabilize even further. Too few, and you can’t be protected from the various monsters that call that nightmare place home.

Esther is a Lantern, but she’s semi-retired. Her Hex was suspended from operating a year ago, leaving the rest of her closest friends out of work. One night, a mysterious phone call wakes Esther, a single word from David, her son and the Keeper of the Hex. Immediately, she springs into action to gather the other members of the Hex and rally at the Keep to gather information. David, it seems, has been kidnapped, leaving his spouse Kai and their children behind in the unguarded Keep. Someone has captured him, and Esther must journey across the Beyond to find the party responsible. While Marianne, Gus, Lydia, and Faye all answer Esther’s summons, not all of the Hex is happy to see her again, especially since their suspension means that they’re not technically supposed to be operating in the Beyond at all.

So begins a covert mission to find David and bring him safely home. After all, what wouldn’t a parent do to protect their child?

Kate Elliott has crafted a phenomenal sci-fi novella with group mechanics reminiscent of a Dungeons and Dragons party. I’m fascinated by both the Beyond and the many Realms that it links, and I’m honestly sorry that this is my first time tackling one of her stories. I hope that she revisits this world again soon.

The Keeper’s Six is out today. I hope you enjoy it as much as I did.

My utmost thanks to Tordotcom for providing an eARC of this novella in exchange for a fair review.

Okay. New year’s here again.

I got a decent amount of stuff done last year. Read a lot of books, wrote a decent number of reviews. V and I sold our first house and bought a bigger one to have room for all of us. I showed off my home bartender skills (twice!). We reconnected with some folks in my home town, and took some of the kids out there for their first ever visit to my parents’ house. I lost some friends, and made others.

And now, here we are in 2023.

I’m hoping to get more writing done this year. It’s been way too long since I let myself just dive into a creative project, even just quick poetry. While I’m looking forward to a lot of book reviews, I want to actually tell a story again. On a related note, I want to do more drawing this year too. I know that part of the difficulty I’ve had with creative ventures is the fact that I’ve had to split my attention with work and school and parenting and other work and other hobbies. Most of my original work in the last six months was dedicated to crafting cocktails for amateur bartending competitions. That was fun, and I hope to participate in one again this year, but it shouldn’t be my only outlet. It’s an expensive hobby, after all.

I’m planning to continue in my current position with the library, although I won’t say no if the right opportunity for advancement comes along. Last year, I participated in a leadership training program my employer provides, and so I’m feeling a little more prepared for that than I was before. The combination of that and my MLS makes me more valuable, I guess, depending on what openings are available.

As things currently stand, I’ll be returning to my position at the Colorado Renaissance Festival again this year as well. I’m looking forward to another summer of piracy and not sleeping enough. I may see about using some of my vacation time in the middle of the season this time around, though, rather than just working 7 days a week for 2 months. I think that V and the kids would be grateful. Honestly, so would I. I love doing the whole thing, working the festival, but it’s exhausting and stressful for the whole family.

There’s a lot of books to look forward to this year. As it stands, I’m most excited for the following:

1.) Lost in the Moment and Found by Seanan McGuire. Every January, I’m 100% here for the next book in the Wayward Children series. These novellas are beautiful and heartbreaking, and I can’t wait for this one. It’s out next week.

2.) Don’t Fear the Reaper by Stephen Graham Jones. This one is a sequel to 2021’s phenomenal My Heart is a Chainsaw, and a slasher spectacular in its own right. It drops on February 7th, and is shaping up to be the exceptional middle child in a horror trilogy.

3.) The Witch King by Martha Wells. I’ve read all of the Murderbot Diaries, but I’ve not tackled any of Martha Wells’ fantasy titles before. This one comes out in May.

4.) Alecto the Ninth by Tamsyn Muir. We don’t have an official release date for this one yet, but I’m hoping that it will still publish on schedule around September. I need to know how The Locked Tomb Series ends, and I need to fall in love and get stabbed in the back by Muir’s prose at least twice along the way.

5.) The Archive Undying by Emma Mieko Candon. I’m absolutely hooked by the concept of this one. AI deities and dead cities and Evangelion references, oh my! Look for it at the end of June.

I’m pretty pumped for a lot of movies this year too. John Wick comes back to theatres, we swing back across the Spider-Verse, and Nicolas Cage plays Dracula. I’ll probably stick to DVD/streaming releases for most things, but the timing of John Wick 4 might just be enough to tempt me (albeit masked) back to the theatre.

Then there’s the video game side of things. The Legend of Zelda: Tears of the Kingdom comes out just in time for my birthday, so you can bet that I’ll be revisiting Breath of the Wild between now and then.

Anyway, I’m coming up on twelve years of posting here, so thanks to those of you who have been around the whole time, and welcome to those who are just starting to pay attention to my ramblings. I’ll have book reviews starting soon. See you then.

It’s no secret that I love Neal Shusterman’s Arc of a Scythe series. I’ve reviewed his books before, and I even had the honor of meeting him in person earlier this fall.

Photo of me (left) with Neal Shusterman (right) at a local book signing.

Now I was surprised partway through Thunderhead when I learned that the series wasn’t a duology, but in fact had a third book announced just a few days prior. I was even more excited when I found out that he was returning to the setting with a new collection of short stories. Gleanings hit store shelves yesterday, and folks, it is fantastic.

It feels so good to be back in this dystopia. Shusterman’s worldbuilding is second to none, and even through brief snippets of poetry and prose, it all came rushing back. A planet full of immortals, a small order of people who can render others permanently dead (and in fact are required to do so), and an artificial intelligence that oversees everything but doesn’t interfere with the business of Scythes: all of these components are now familiar. This anthology presents a wide array of new stories, from Scythe Curie’s first conclave after her apprenticeship and her earning of her legendary title to a Halloween party that echoes Edgar Allan Poe’s The Masque of the Red Death. Shusterman and his various co-authors are bringing even more depth to an already expansive world. I can’t thank NetGalley and Simon & Schuster enough for an eARC in exchange for a fair review. Gleanings is out on shelves as of yesterday. Enjoy!

Today I paused a moment beside
My son, kneeling in the gentle
Rain as we waited for the first
School bell to ring, and I showed
Him an earthworm, slowly making
Its way across the pavement of
The playground so that he would
Know to step around it as he and
His classmates moved inside.