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Category Archives: TV Review

A Shift

What? Something that’s not a book review? Shocking, I know.

It’s been a busy start to the year. By that, I mean the last two months have been chaotic as fuck. My library job is going well, but I’m doing some extra work on top of my regular stuff, meaning that I have a former part-time coworker and I’m in charge of handling her job duties until her replacement can be hired and trained. It’s been exhausting, but my manager is being very supportive and is trying to make sure that I have as much help as I need so that my teen services tasks don’t fall behind.

I’ve been playing through some older video games again this past couple of weeks. I finished a replay of Batman: Arkham Asylum and am almost done with Arkham City now. I haven’t played it since launch, so this is my first time getting to go through the Game of the Year edition special content, like the Catwoman missions. I’m also celebrating the release of Metroid Prime on the Switch by replaying the classic GameCube version. This will be my third (I think, maybe fourth) time playing through that one, and I’m happy to see how well it holds up, even before the remaster. Metroid Prime was the first game I ever played on the GameCube, thanks to a demo setup at Walmart when I was younger, and one of the first titles I purchased when I finally owned the system myself.

V and I got the chance to watch Clerks 3 last week. For the record, I never saw the original until I was in college. I had some osmotic knowledge of it thanks to classmates dropping references (“I’m not even supposed to be here today!”) throughout our theatre rehearsals. It wasn’t until the sequel was releasing that I first watched Clerks, just in time to play through Gears of War and catch the “My Love for You is Like a Truck” achievement. Kevin Smith remains a favorite film director, and Clerks 3 was no exception. From opening with a montage set to “The Black Parade” by fellow New Jerseyans My Chemical Romance to cameos from damn near every character from the first two movies, it was absolutely fantastic. Dante and Randal have not been figures in my life as long as some, but they’re still old friends at this point. Smith’s inclusion of his own experiences with a massive heart attack and the background of the creation of the original Clerks movie make for a spectacular capstone to the series.

One last bit for today. Season 3 of the The Mandalorian started last week. I’m on the Quest Me podcast recapping Mando and Grogu’s adventures every Sunday night at roughly 7:30 PM MST. You should come hang out with us. I’ve gotten upgraded from occasional guest to full-time guest host! It’s nerdy Star Wars fun.

See you soon!

Netflix’s Umbrella Academy: A Delightful Departure

Gerard Way (yes, that Gerard Way) has always loved comic books. He and Gabriel Bá launched the first issue of The Umbrella Academy in the fall of 2007, and I first read the comics a few years later. V had copies of both The Apocalypse Suite and Dallas, and let me borrow them. I was instantly hooked.

February 15th saw the release of a live-action adaptation of The Umbrella Academy, and as of last Monday night, I’ve finished my first run-through of season one. Holy god damn, that was amazing.

The story follows an unconventional family. Years ago, several dozen children were born on the same day, with none of their mothers having shown any previous signs that they were pregnant. Wealthy eccentric Sir Reginald Hargreeves adopted seven of them, six of whom demonstrated incredible superpowers. Together, the children fought crime as the Umbrella Academy. That was then. Before Ben died. Before #5 went missing. Before Luther departed for the moon.

Now, Sir Reginald has died, and the surviving children have come home to pay their respects, but are interrupted as the long-lost #5 makes an unexpected reappearance. He claims he’s been in the future, and that he’s come back to help the Umbrella Academy stop the apocalypse, which is now only a few days away.

Given that Way and Bá created an intensely bizarre world together, but it’s a beautiful framework for the Netflix adaptation to be built upon, and build it does. As they prepare for the impending end of the world, the Hargreeves siblings bond and bicker, healing some old wounds and inflicting new ones. Luther attempts to lead as he once did, but can’t conceal that he’s not the same person he was before he left for the moon. Diego tries to maintain his activities as a local vigilante, but a previous relationship with Detective Eudora Patch complicates things. Allison, despite her celebrity status, struggles with her recent divorce and separation from her daughter. Klaus battles addiction and ghosts of his past. #5 is adjusting to reverting to his thirteen-year-old body and finding a way to cope with his PTSD. Ben is still dead. And Vanya, the “normal” one of the family, just wants a place to belong.

The casting of the characters couldn’t have been more spot-on. Robert Sheehan (Klaus) and Ellen Page (Vanya) aren’t strangers to superhero universes (Sheehan starred in the early seasons of Misfits and Page played Kitty Pryde in multiple X-Men films). They’re joined by a stellar cast, including Cameron Britton and Mary J. Blige as Hazel and Cha-Cha, a pair of time travelling assassins who are sent to ensure that the apocalypse takes place as scheduled.

The Umbrella Academy‘s soundtrack is killer too, as should be expected of a series with Gerard Way at the head. From a solo dance party scene featuring Tiffany’s “I Think We’re Alone Now” through #5’s fight scene set to “Istanbul, Not Constantinople” by They Might Be Giants to Way’s own cover of “Hazy Shade of Winter” in the closing credits of the final episode, it’s pitch perfect.

Over the course of 10 episodes, you get more character development than we’ve seen in the comics (so far, but with story arc #3, Hotel Oblivion, we’re starting to see more, and Way has mentioned several more planned story arcs). Considering the relatively sparse nature of the original plot of The Apocalypse Suite, I’m happy to see that the showrunners have blended some elements of Dallas into season one, giving us a far more well-rounded bit of story. I don’t doubt that Netflix will pick this one up for a second season, and I look forward to seeing my favorite dysfunctional super-family again soon.