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Tag Archives: Batman

A Shift

What? Something that’s not a book review? Shocking, I know.

It’s been a busy start to the year. By that, I mean the last two months have been chaotic as fuck. My library job is going well, but I’m doing some extra work on top of my regular stuff, meaning that I have a former part-time coworker and I’m in charge of handling her job duties until her replacement can be hired and trained. It’s been exhausting, but my manager is being very supportive and is trying to make sure that I have as much help as I need so that my teen services tasks don’t fall behind.

I’ve been playing through some older video games again this past couple of weeks. I finished a replay of Batman: Arkham Asylum and am almost done with Arkham City now. I haven’t played it since launch, so this is my first time getting to go through the Game of the Year edition special content, like the Catwoman missions. I’m also celebrating the release of Metroid Prime on the Switch by replaying the classic GameCube version. This will be my third (I think, maybe fourth) time playing through that one, and I’m happy to see how well it holds up, even before the remaster. Metroid Prime was the first game I ever played on the GameCube, thanks to a demo setup at Walmart when I was younger, and one of the first titles I purchased when I finally owned the system myself.

V and I got the chance to watch Clerks 3 last week. For the record, I never saw the original until I was in college. I had some osmotic knowledge of it thanks to classmates dropping references (“I’m not even supposed to be here today!”) throughout our theatre rehearsals. It wasn’t until the sequel was releasing that I first watched Clerks, just in time to play through Gears of War and catch the “My Love for You is Like a Truck” achievement. Kevin Smith remains a favorite film director, and Clerks 3 was no exception. From opening with a montage set to “The Black Parade” by fellow New Jerseyans My Chemical Romance to cameos from damn near every character from the first two movies, it was absolutely fantastic. Dante and Randal have not been figures in my life as long as some, but they’re still old friends at this point. Smith’s inclusion of his own experiences with a massive heart attack and the background of the creation of the original Clerks movie make for a spectacular capstone to the series.

One last bit for today. Season 3 of the The Mandalorian started last week. I’m on the Quest Me podcast recapping Mando and Grogu’s adventures every Sunday night at roughly 7:30 PM MST. You should come hang out with us. I’ve gotten upgraded from occasional guest to full-time guest host! It’s nerdy Star Wars fun.

See you soon!

The Dark Knight Rises: A Review

The Dark Knight Rises premiered at midnight on Friday, after four years of waiting since the release of it’s predecessor. Batman Begins showed us that Batman films could be done well, and pseudo-realistically. Its sequel, The Dark Knight, was an epic film, clouded by the untimely loss of Heath Ledger, but nevertheless a critical and commercial success. Now we have part three to director Christopher Nolan’s grand work.

The Dark Knight Rises is set eight years after the events of the first film, and Bruce Wayne (Christian Bale) has been living in the shadows, though this time without his cape and cowl. Batman is retired, and has been for most of the eight year timeskip. He’s become a recluse, choosing to hide away as criminals are put into Blackgate Prison by the Gotham City Police Department. The public remains convinced that former Gotham City DA Harvey Dent was killed by Batman during the events of The Dark Knight, and so Dent is a celebrated martyr in the war against organized crime and the truth remains hidden by both Bruce Wayne and his chief ally, Commissioner Jim Gordon (Gary Oldman).

Bruce is under pressure from the Wayne Industry board of directors. A planned clean energy project had been funded and then canceled, costing Wayne nearly half of his fortune and prompting his board to ask for him for his resignation. Luckily for Bruce, new love interest Miranda Tate (Marion Cotillard) arrives to provide financial backing and take over operation of the company. Meanwhile, Batman is forced back into action by the combined efforts of cat burglar Selina Kyle (Anne Hathaway) and genius bruiser Bane (Tom Hardy).

Bane quickly establishes himself as a major threat to Batman, both physically and intellectually, finally being portrayed in accordance with his comic book origin. Tom Hardy is nowhere as difficult to understand as many critics feared, and his mask only serves to enhance to sense of terror and unknown that his victims must feel when he arrives. His face is as inscrutable as his motives, as he appears to be a fierce mercenary with a hidden agenda for Gotham City. As Batman’s most deadly foe to date, Bane will leave you wondering if Batman can ever survive their final confrontation. In Gotham, after all, nothing is what it seems.

Nolan’s final foray into the world of Batman does not disappoint. Everything about this movie felt right, from the phenomenal cast to Hans Zimmer’s elegant score. The plot is complex, but not overly so. The cinematography and effects are everything that we love about Christopher Nolan’s filmmaking techniques. I’ve never seen a conclusion to a trilogy leave me feeling so satisfied and still so hungry for more. Thank you, Christopher Nolan, and all of the cast and crew, for giving us three unbelievable Batman films over the last seven years. I could not ask for more than what you gave us with The Dark Knight Rises.

P.S.

This guy was at my theatre in Colorado Springs. Epic Bane costume. He was generous/friendly enough to let me take a photo of him before the movie started.

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