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Tag Archives: politics in fiction

I’ve followed Sim Kern on Twitter for a while, and so when they put an open call out for ARCs of Seeds of the Swarm last year, I jumped at the chance. What a perfect companion piece to Annalee Newitz’s The Terraformers. Climate change fiction (or cli-fi), is a hot topic, and Sim handles it marvelously.

Sassparylla “Rylla” McCracken lives in The Dust, a dried-out portion of the United States devastated by manmade climate disasters. Specifically, Rylla and her mom live in a trailer house in Texas, near what remains of the Guadalupe River outside of Austin. Rylla is a high school senior, attending virtual classes and spending her free time studying the insects and other wildlife that are managing to survive in the harsh, dry climate. When she learns that a new piece of corporate legislation is aiming to dam up what’s left of the river, Rylla begs her brother Tyler for a ride to the state capitol, where she delivers an impassioned speech to the apathetic legislature.

Thanks to a video edit of her speech at the capitol going viral, Rylla is approached by representatives from Wingates University, a school located deep in the Lush States where water and other resources are still abundant. Before she knows it, Rylla is whisked away to Michigan, where she is quickly overwhelmed by how different of a world her classmates come from. Rylla is placed in the Humanities department at Wingates, where she is tasked with studying the behaviors that lead to the current state of the world. She also befriends a group of engineering students working on different types of new technologies that they believe can save the planet and the human race.

After a trip through the campus transport system goes wrong, the existence of a secret series of laboratories deep beneath Wingates is uncovered. Soon, Rylla and her classmates finds themselves caught up in a conspiracy of nanotechnology, bioengineering, and political intrigue that could very readily lead to a new civil war, with Rylla’s mother and brother stranded in The Dust. As if just going to college and juggling a social life and homework wasn’t stressful enough…

Seeds of the Swarm is a brilliant piece of climate-focused science fiction, taking an unflinching look at what our world could look like in a few short decades. Rylla is a delightfully and frustratingly human protagonist, reminding me of many of my own college friends (though we didn’t have world-ending tech at our fingertips). Her struggles to fit in among her fellows at school are fantastically well-rendered and realistic. Kern’s vision of the near-future manages to still stay hopeful, even in the face of overwhelming odds.

Seeds of the Swarm is available from Stelliform Books on Wednesday, March 1st. Get it from your library or bookstore of choice, and enjoy.

My utmost thanks to Sim and to Ren Hutchings at Stelliform Books for an eARC in exchange for a fair review.

Dear readers, I have done myself a disservice by not reading Annalee Newitz’s work before now. I had picked up a copy of Autonomous from my library back in 2017, but I never managed to get around to it. Now, I know that I have to come back. Newitz is a phenomenal world builder, and in their latest book, The Terraformers, they do it literally.

The Terraformers tells the story of Destry, a sort of forest ranger of the future. Destry lives on the planet Sask-E (or Sasky, as most of the locals have taken to blending the name), and along with her partner, a moose named Whistle, she has spent centuries carefully guiding the ecosystems into an Earth-like state. Destry and Whistle are members of the Environmental Rescue Team, or ERT, and on Sasky, they work under the corporate authority of Verdance, a real-estate company that deals in planets.

Destry and Whistle are used to working on a slow scale, shaping a world in a way that maintains its harmony. Neither of them is expecting the sudden shift in Sasky politics when a city full of older ERT rangers is found, hidden away from Verdance’s knowledge. Soon, the two are caught up in a storm of corporate ideology, civil rights, and what it means to be a person on a planet that’s isolated from the rest of the universe. After all, terraforming is long series of violent actions, forcing a world into the condition you desire. The tools that are used can be deadly in the wrong hands.

The Terraformers is a deep dive into politics and relationships the likes of which I haven’t read since Ursula K. LeGuin’s The Left Hand of Darkness. It’s the story of a planet that spans centuries and generations. It’s dense, queer, sad, and beautiful. My utmost thanks to the folks over at NetGalley and Macmillan-Tor/Forge for providing me with an eARC in exchange for a fair review. It’s out today. Go check it out.

Election day has come and gone. I have mixed feelings about the results, but I’m feeling positive for Colorado overall. That’s about as political as I’m going to get here, at least as far as real-world politics go. However, it did get me to thinking about the concept of politics within fictional realms.

Some stories revolve almost entirely around political intrigue. George R. R. Martin’s A Song of Ice and Fire is one of the most prominent examples of this today. With plot details inspired by The War of The Roses, among other things, ASOIAF is filled with characters who live for gain of power and wealth. They don’t care if they have to spy, steal, or murder to achieve it, and no one will stand in there way, neither kings nor innocent children.

Writers like Tom Clancy became famous for writing thrillers inspired by real-world political events, focusing on them in a modern setting. Drug wars, assassinations, and bids for the US presidency serve as the core for Clancy’s books. Events could easily be pulled from headlines and adapted to fit a plot, provided that it be done carefully.

How much sway should politics hold over your story? That’s really up to you. Do you want your piece to become an Author Tract, where it’s little more than a way to express your opinions via fictional characters? That’s okay, it can be done well. Do you want your piece to be critical of existing political systems in the real world? Or would you prefer to establish a new system as a thought experiment?

Frankly, I like the idea of trying all of them on for size, along with things that involve a complex world without getting into politics whatsoever. Developing a somewhat functional political system can be a fun part of world building, but be sure that you don’t let it overwhelm the story.