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Category Archives: Writing

Today is National Library Workers Day.
Today is a reminder that not everyone
Who works in a library is a librarian,
But the library doesn’t work without
All of them.

To keep a library running, you need people.
People who care about other people;
People who know how to find answers;
People who know how to fix things;
People who know how to clean things;
People who want to help;
People who want to learn and grow;
People who aren’t afraid of change;
People who are courageous in the
Face of people who would sow fear;
People who are good with money;
People who are good with kids;
People who are good with teens;
People who are good with adults;
People who are good with seniors;
People who are artistic;
People who are young and old;
People who are there to build others
Up, not merely themselves;
People who long to tear down
Hatred, not stoke its flames;
People who want to share in their
Community;
People who have seen the struggles
Faced by libraries in the past who can
Guide them into the future;
Skeptics and believers;
Leaders and followers;
People who exist within and without
All of the categories that so many strive
To create to enforce a rigid order;
Night owls and early birds;
People who want to use the library’s
Services and expand them;
Shushing people, laughing people;
The people whose eyes grow wide
With sheer wonder when they see
Everything that a library can be;
People who want to make the library
A place that is truly welcoming and
Safe.

Because without all of these people doing
What they do, a library
Isn’t a library. It’s just a building full of books.

Shesheshen woke up early, and is understandably upset. Her hibernation in her lair was interrupted by a trio of would-be monster hunters, and she was only able to kill and eat one of them before the others escaped. Using some of the dead hunter’s remains (and other bits of the ruins where she lives), the shape-shifter is able to build herself a bit of human-like body framework so that she can sneak down into the nearby town to see what’s changed since she was last awake. Borrowed bits of flesh and bone give her body more of the appropriate shape, allowing her to fake her way through some interactions. When her disguise fails in the middle of a festival celebrating her imminent death, she’s chased back out of town. The crowd, including the two survivors of the raid on her lair, pursue her until she falls off of a cliff.

Upon her next awakening, she’s startled by the presence of a human woman who has treated her wounds, wrapped her in blankets, and stoked a fire. The woman, an outsider not from the village, introduces herself as Homily. Before the monster can really focus on what’s happened, she’s being fed soup and entreated to rest by a woman who is clearly oblivious to Shesheshen’s monstrous nature, taking any oddities about her as symptoms of having just fallen over a cliff. Homily loads her into a cart and strikes off back to town. Soon, she’s in Homily’s room at a local inn until she can finish convalescing. A couple of things strike Shesheshen, then. First, the people of the village seem terrified of Homily. Second, she is beginning to feel… feelings. An odd sort of mutual attraction seems to be blooming between Homily and the woman she knows as Siobhan. Homily feels a genuine attraction to the monster she’s rescued, but she has no idea what Siobhan actually is.

As the two are getting to know each other and growing closer, though, the reason for Homily’s presence in Underlook comes to light. She’s the daughter of the Baroness Wulfyre, one of the family that rules the isthmus where Shesheshen lives. She’s also a master monster hunter in her own right, and had come to the village to assist her brother in hunting down the Wyrm of Underlook. Unfortunately for her, her brother Catharsis was the monster hunter that Shesheshen devoured before she and Homily met, and all of her remaining relatives believe that Shesheshen has cursed their line. Now Shesheshen is torn. Does she continue her charade or reveal her monstrous nature to Homily and hope that she can be forgiven for who she is? She’s finally met someone who might be a suitable host for her eggs, but if Homily figures out her identity, siding with her admittedly toxic family means Shesheshen’s death.

John Wiswell has released a brilliant debut novel with Someone You Can Build a Nest In. It’s a delightfully bizarre fantasy romance told from the perspective of a monster, and I’m utterly entranced by it. His descriptions of Shesheshen’s odd morphology and attempts to human are charming and disturbing simultaneously, and the Wulfyre clan (barring Homily) are suitably horrible. All in all, it’s an unconventional love story that will leave you questioning what relationships can be, and whether we can grow to become more than what our parents expect us to become.

My utmost thanks to NetGalley and DAW for an eARC of this title in exchange for a fair review. Someone You Can Build a Nest In is out in stores today, 4/2/24. Check it out.

You’re awake in the middle of the night
A bad dream
Or something akin to one
And from downstairs, I hear you
As you begin to cry
And I respond
It’s my job to keep
You safe, even from the dangers
That aren’t real
(Especially then)
Because you’re still learning
The difference.
And in seconds, I’ve reached
Your door, stepped over
The gate that keeps you
And your little brother from
Roaming the hall at night,
Scooped you up in my arms
And whisked you away
To the light of the
Kitchen.
Soon, you’re calmed by
The promise of a
Cup of milk and
A warm blanket and
Snuggling in my arms
On your favorite couch.
Your smile then is the
Brightest I’ve seen from you in days,
And then I too
Am ready to face the dark again.

J.S. Dewes’ latest science fiction novel, Rubicon, opens with a bang as our protagonist is forced to kill her three squad mates and then herself. Specialist Adriene Valero wakes up almost immediately afterward, her consciousness having been automatically downloaded into a new body back at headquarters.

Rezoning, as the process is called, has been standard procedure for soldiers fighting on the front lines against the Mechan forces. It allows humanity to avoid being captured and utilized as a host for a Mechan unit, a process called hybridization. If you’re under imminent threat of capture, zone out. Better to die by your own hand (or a fellow soldier’s) than to play host to an alien robot consciousness until your body gives out.

After rezoning into her 96th “husk” since the beginning of her service, Adriene is ready for it to all end. Anything for a chance to be mortal again. But instead of being sent back to the front lines with the rest of her squad, she’s pulled out of her company, promoted, and shipped off to a new unit. She’s been deemed a good fit for an elite crew of soldiers outfitted with special Virtual Intelligence implants called Rubicons, and assigned to be the pathfinder of one of their advance recon squads.

After a quick training on the use of the Rubicon implant in her brain, Adriene has to adjust to the idea of someone else sharing her head, privy to her thoughts whenever the unit is active. On the squad’s first mission out together, they’re ambushed by Mechan drones. With yet another rezone on the line, Adriene taps into an unknown function of her Rubicon implant, accessing functions that shouldn’t be possible.

With the knowledge that her Rubicon implant may be unique, Adriene is soon forced to face a choice. On the line: her chance to finally end her rezone cycle and the fate of all that remains of humanity under the unsleeping eye of the Mechans. Then again, Adriene may have more in common with the Mechans than anyone has ever realized.

Rubicon is a phenomenal piece of military science fiction that’s perfect for fans of Halo, Starship Troopers (Robert Heinlein), Old Man’s War (John Scalzi), The Light Brigade (Kameron Hurley), or Edge of Tomorrow. It’s out on shelves today, and you should most definitely check it out. Dewes has done a great job of hooking me with her writing, and I’m eager for more.

My utmost thanks to NetGalley and Tor Books for providing an eARC in exchange for a fair review.

Today I paused a moment beside
My son, kneeling in the gentle
Rain as we waited for the first
School bell to ring, and I showed
Him an earthworm, slowly making
Its way across the pavement of
The playground so that he would
Know to step around it as he and
His classmates moved inside.

Lord of the Flies is a classic piece of literary history documenting the rapid descent of a group of English schoolboys into chaos after being stranded on a tropical island.

Fyre Festival was a disaster of a different sort, with many promises being made to the would-be attendees about an island music festival that would never actually happen.

Goldy Moldavsky’s new YA novel, Lord of the Fly Fest is a beautiful and terrible blend of these two, otherwise unrelated things. Our protagonist, Rafi, is a young and (hopefully) upcoming podcast host with a show called “Musical Mysteries.” She’s staked the success of her show’s second season on snagging an interview with River Stone, the hottest musical act to ever come out of Australia, and also a bad murderer, maybe. His former girlfriend, Tracy, disappeared, and he was the last person to have seen her. So Rafi spends every last dollar she has to be at Fly Fest, an upcoming music festival that everybody who’s anybody on the internet has been promoting. Arrival on the island quickly proves that everything involved with the preparation for the event has gone wrong. There’s no staff to welcome the guests, few tents for shelter, and nothing but an abandoned shipping container full of inedible “cheese” sandwiches for food. Worst of all? None of the musicians who were slated to appear have shown up. None, that is, except for River Stone.

So now, Rafi is faced with a quandary. Does she band resources together to contact the outside world and summon rescue? Or does she let things drag out in the hope of getting that exclusive interview with River, getting the big celebrity shot her podcast needs to get the big endorsement deals (and, y’know, maybe some justice for River’s dead [again, maybe] girlfriend, Tracy). She’s got to navigate an island full of upset social media influencers and makeup gurus to make her plan work, one way or another. But what if getting River out on an island without contact with the mainland is exactly what he needs to kill again? What really lies beneath the surface of Fly Fest?

Lord of the Fly Fest is brilliant, combining the satirical takes of Libba Bray’s Beauty Queens (I’m looking at you, fictional influencer/musician Hella Badid, and bland interchangeable Paul and Ryan) with the atmospheric tension of Agatha Christie. My utmost thanks to NetGalley and MacMillan for an eARC in exchange for a fair review.

Y’all.

I love steampunk.

I love alternate history, and steampunk has been a favorite genre of mine for almost twenty years. Today, I get to tell you about my new favorite steampunk novel, and it’s part Star Wars, part Ocean’s Eleven.

In Lucas J. W. Johnson’s The Clockwork Empire, Rome never fell. Instead, the Roman Empire continued to grow and expand its grip around the world. Almost all of Europe lives under their control, and over the centuries, they’ve only gotten more powerful with the development of new technologies. People who are injured can be remade, with clockwork prosthetics being grafted on. Airships hover over cities, and Legionaries patrol the streets.

Julian was remade. Forced into slavery, he was experimented on and left with a clockwork heart—the first of its kind, and something the Empire desperately wants to keep secret. Shortly after the process was completed, however, he managed to escape from the scientist who had enslaved him. Now he seeks to reunite with his lost love, Gaius, and plan his revenge against those who are corrupting the empire for their own benefit.

Lia was a Praetorian, a member of the Emperor’s own guard, and one of the best soldiers to be found. When she and her comrades got too close to the truth about the goals of an overly ambitious senator, they were all disavowed and forced to go on the run.

After a chance meeting in a small caffè, Julian & Gaius find themselves teaming up with Lia’s crew. The realization that they have a mutual enemy in Senator Vivarius spurs them to action. What ensues is a grand adventure across the Roman Empire in a stolen airship.

So, let’s see. Big cast of queer characters? Check. Prosthetics technology that would make Winry Rockbell swoon? Check. Smashing fascism? Check. Train heist? Check. I really don’t know what else I could need.

My most sincere thanks Lucas J. W. Johnson for crafting an incredible story, and to Fireside Fiction (specifically Brian J. White) for providing me with a copy in exchange for a fair review.

The Clockwork Empire is out in the world today. Go get it.

Zachary Ying doesn’t want to stand out, a difficult task when he’s usually the only Asian kid in his school. He wants to finish summer classes and play Mythrealm, an augmented reality game that blends elements of Pokémon GO and trading card games like Yu-Gi-Oh! with classic mythology. Zack never learned a lot about Chinese myths and history from his mother, who had complicated feelings regarding their homeland. It comes as quite a shock when a Chinese transfer student, Simon Li, introduces himself and explains that Zack’s likely a direct descendent of Qin Shi Huang, the first emperor of China. Before he knows what’s happening, the spirit of his ancestor has possessed him, or rather, his portal-lens, the AR headset he wears to play Mythrealm.

Qin Shi Huang is on a mission, and he needs Zack’s body to do it. The long-dead emperor has to seal a portal to the Chinese underworld to prevent all manner of demons and spirits from flooding out into the human world, and the clock is ticking. Zack needs to get to Qin Shi Huang’s tomb in China, and he needs to strengthen the bond between himself and the emperor’s spirit, or his mother’s soul may be devoured. Zack has to learn as much as he can about the Dragon Emperor and his exploits so that he can channel the magic necessary to close the gap between the realms.

Qin Shi Huang isn’t the only dead emperor setting out to save China. Simon is possessed by the spirit of his own ancestor, Tang Taizong, and he’s partnered with Wu Zetian, China’s only female emperor, hosted by her own descendent, Melissa Wu. Together, the three kids and their spirit partners navigate an escalating series of heists and battles with mythological figures and monsters. If they fail, China—and the rest of the world—are doomed.

Xiran Jay Zhao has crafted a most excellent middle grade adventure here. They’ve taken some of the best bits of Yu-Gi-Oh! (which I’ve loved since seeing the first episodes land in English back in 2001) and wrapped it in an intense love of Chinese history and myth, with an end result that will satisfy readers of all ages and make the folks at Disney jealous that they didn’t pick this one up for a Rick Riordan Presents title. Zachary Ying and the Dragon Emperor is fun, fast-paced, and clever. It’s out tomorrow, May 10th.

My thanks to NetGalley and Simon & Schuster for an eARC in exchange for a fair review.

And my additional thanks to Xiran for their signature on a copy of Iron Widow and a selfie with them back in April!

Selfie of me, Philip (he/they), standing in front of Xiran Jay Zhao (they/them), the author of Zachary Ying and the Dragon Emperor as well as Iron Widow.

I was in middle school the first time I saw the word “kaiju” in print. I was on a Godzilla kick, because I was in middle school, and Godzilla books had been readily available for a few years at that point, thanks mostly (I guess) to Roland Emmerich’s 1998 film. I had been to my parents’ bookstore and found a couple of mass market paperbacks of other Godzilla titles, and started to learn my way around the other residents of Monster Island. A love of the giant creatures was born that has persisted to this day, across films like Pacific Rim and the films and comics within the Godzilla franchise. Now imagine my joy when one of my favorite sci-fi writers announced an upcoming novel titled The Kaiju Preservation Society.

John Scalzi is a remarkably fun writer to read, and since it’s been a while since the last time I read one of his books, I’d forgotten that. TKPS is a ridiculously fun ride. When Jamie Gray loses his job in the middle of the COVID-19 pandemic, he turns to delivering food around New York in an attempt to keep up with his bills. This brings him into contact with Tom, an old college friend who tells Jamie that he has a job opportunity for him with a group that does preservation work for large animals. What Jamie was not expecting was for that job to be on the other side of a dimensional barrier separating our Earth from an alternate one populated by nuclear-powered creatures the size of apartment buildings.

Jamie emerges on the other side of the barrier to find a small scientific research base, where he will serve as a gofer for the numerous scientists studying the kaiju that inhabit this parallel world. He quickly makes friends and becomes acclimated to the bizarre biology of the local populace, learning what a threat virtually everything on that side of the barrier is (in short, everything will either kill you or try really hard to do so). Rapidly changing circumstances lead Jamie to understand, however, that not everyone associated with The Kaiju Preservation Society is as well-intentioned as he is, as an impending disaster threatens everyone and everything on both sides of the rift.

This was a fast-paced, very fun novel, that reads like a mashup of Pacific Rim and Jurassic Park. My only complaint is that we don’t get to spend a lot of time in the world, and I would love to see Scalzi release a sequel at some point down the line. The Kaiju Preservation Society is out in stores tomorrow, March 15th. Go get yourself a copy asap. My utmost thanks to Macmillan/Tor and NetGalley for an eARC in exchange for an honest review.

Évike lives in a small pagan village surrounded by walking trees. Like all of the villagers, she lives in constant fear of the Woodsmen of King János Bárány. Every two or three years, the Woodsmen have come and taken one of the wolf-girls of the village so that her gift of pagan magic might be put to use by the king. The women never return. When Évike was a young girl, her own mother was taken, leaving her to be raised by the village seer, Vírag. Now 25, Évike remains the relative outcast of the village, as she never developed any of the four magic talents possessed by the women of her home. She can’t spark a fire with a word, she can’t forge a blade with a song, she can’t heal the injured, and she has no gift of foresight. Blame falls on her father, an outsider who left the village again before her mother was taken.

When Vírag receives a vision that the Woodsmen will soon return to the village, a drastic decision must be made. She knows that the king has sent them to retrieve Katalin, one of Évike’s peers, and a burgeoning seer herself. Fearing the fate of their village left with only one, elderly seer, Vírag calls Évike to her hut. Quickly disguising Évike and Katalin as one another, Vírag tricks the Woodsmen into taking the one wolf-girl without a hint of magic. Évike is understandably bitter, as Katalin was one of those who bullied her the most in their youth. Now she must pretend to be her as she’s taken away to the capital.

The wild forest around Évike’s village isn’t the only threat along the path to the capital, however, and monsters are very real. Soon all but the captain of the Woodsmen group sent for her are killed. Her deception is revealed, but instead of killing her for the lie, the Woodsman reveals one of his own. He isn’t a mere Woodsman. He is Gáspár Bárány, firstborn son of the king.

Évike and Gáspár forge an uneasy truce. If she helps him find the turul, a powerful source of magic that could save the king from the manipulations of his second son, he will help her search the capital for her own father and protect her people. Time is short, and the journey will be perilous, but it may be that their growing tolerance for each other hides something more…

Ava Reid has provided us with a masterful debut novel, a blend of Eastern European and Jewish history and folktale that is sure to delight older fans of Leigh Bardugo’s Grishaverse. Magic, monsters, and romance fill the pages, and the characters resonate with real-world people and events fantastically.

The Wolf and the Woodsman is available today.

My utmost thanks to NetGalley and Avon & Harper Voyager for an eARC in exchange for a fair review.