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In which Chuck Tingle goes to Hollywood.

Misha Byrne is a screenwriter, and he’s just locked in his first Oscar nomination. He’s also gay, and executive meddling is on the cusp of forcing him to kill off the two queer leads of his latest TV series. Nearly four seasons of wildly successful X-Files-esque television, and he’s finding his work being subject to one of the oldest tropes in fiction: bury your gays. For Misha, this is particularly egregious, as his favorite childhood show fell victim to the same treatment years before. However, if he doesn’t go along with the studio’s plans, he’ll be in breach of contract and lose his job, and potentially any chance of working in Hollywood again.

Then, things start to get weird at the studio lot. Raymond Nelson, one of the oldest working animators at the studio, is crushed by a piano in an ironic echo of a cartoon death. Not long after, Misha spots a character from one of his horror films while walking out of a bar. This omen warns him that he has only five day to live, a timeline that coincides with the night of the Academy Awards ceremony. Soon, more of his horror characters begin intruding into his life, and he’s forced to face the very real traumas that shaped his career (and are threatening his boyfriend). Will Misha succumb to studio pressure by Oscar night, or will he fall to a twisted version of one of his own creations?

Chuck Tingle is absolutely killing it in the horror genre, y’all. Bury Your Gays is littered with little nods to actual Hollywood staples, all while carefully avoiding name-dropping any specific real world studio. Tingle builds phenomenal tension and intersperses some clever screenwriting aspects between segments of the story. This is a brilliant follow-up to last year’s Camp Damascus, and further solidifies Chuck as a horror writer of note. My utmost thanks to Tor Publishing Group and NetGalley for an eARC in exchange for a fair review. Bury Your Gays is out as of yesterday, 7/9/24. Go get it.

Alice is the last surviving human in the universe, and she’s on the run. When she was exploring the Alta Sidoie market, she found something in a scrap collector’s booth that was far more than met the eye. Unfortunately for her, she wasn’t the only one who recognized it. Now she’s being chased throughout an intergalactic portal network by a warmongering alien race that wants to use the weapon-controlling AI she found to attack anyone who has ever wronged them.

Alice fell into the portal network by chance, an accidental bit of access from a world that wasn’t supposed to be able to connect. She was observed by the Archive, one of the unifying forces for good in the universe, and sent back to report on humanity as a whole. Eventually Earth’s conflicts grew to the point where the Archive opted to quarantine the world instead of attempting to keep helping, leaving humans to their own slow self-destruction. Alice, however, was allowed to keep performing work for them. Now alongside her virtual assistant, Bugs, she’s employed as a blend of archaeologist and grave robber for the Archive, trading in favors and information as well as artifacts.

Alice has her hands on the key to one of the most powerful remaining weapons in the galaxy, and the enemy is closing in. The AI is a threat to everyone, but Alice is determined to save Gunn, the being trapped in the heart of the artifact. She doesn’t know who she can fully trust, but she’s going to do whatever it takes to free him.

Elaine Gallagher has packed a tremendous amount of detail into a very small package with Unexploded Remnants. This novella is fast-paced and a hell of a lot of fun. World hopping action and clever characters reminiscent of Indiana Jones, Lara Croft, and Evelyn O’Connor make for a quick, entertaining read that still manages to provide commentary on weapons of war and how we treat soldiers.

My utmost thanks to Tor and NetGalley for an eARC in exchange for a fair review. Unexploded Remnants is out today, 6/25/24. I hope you enjoy it as much as I did.

Gretchen Felker-Martin is back! It’s been two years since Manhunt dropped, and the world is still reeling from her spectacularly violent, grimy apocalypse novel. Now she’s written an arguably darker tale of queer fear in Cuckoo.

Like its predecessor, Cuckoo is undeniably a queer horror story. The novel introduces us to a group of teens, each of whom has been violently removed from their home and forcefully transported across the country. Their only crime? Being a queer teen in the 90s, for which their parents shipped them off to be changed. When they arrive at Camp Resolution, a desert-based conversion camp, they have nothing but each other, and no idea what they’re about to face. They don’t even know what state they’re in. Far from home and cut off from the outside world, they’ll have to band together to make it out unchanged.

Camp Resolution is, in a word, weird. The educational curriculum is pseudoscience, the physical activities consist of backbreaking labor or myriad household chores (depending on assigned sex), and the counselors are not just prone to violence but actively encourage it. The campers who have been there longer are brutal to the newcomers, and even Pastor Eddie, the leader of the camp, won’t hesitate to beat any of the teens who don’t bow to his whims.

Something darker still lurks in the shadows of Camp Resolution, though. The campers who have graduated from the program are… different. Not themselves anymore (and while some would argue that yes, that’s the point of a conversion camp, Resolution’s strategy relies a lot less on prayer and the Bible). Then, the dreams begin. The same dream. Each camper is digging a hole, and they find their own body buried deep in the earth. Something is reaching out to them, speaking to them… preparing them. Our ragged misfits know that they have to escape the camp, before they too are irrevocably changed.

Gretchen Felker-Martin absolutely nailed the building dread in Cuckoo. This book is just as filthy as Manhunt, and I mean that in the best way of describing her aesthetics and worldbuilding. I was thrilled to find out that her sophomore effort was an incredibly solid piece of horror. Cuckoo is out in the world today. Go get it. Read it. Get scared. Repeat.

My utmost thanks to Tor and NetGalley for an eARC in exchange for a fair review.

I am a relative newcomer to the work of Adrian Tchaikovsky. I first picked up Walking to Aldebaran a few months ago after a recommendation on Bluesky and I loved it, so I leapt at the opportunity to get an early copy of his latest novel, Service Model.

Service Model introduces readers to Charles, a robot valet working in a manor up until the untimely death of his master. Charles is an incredibly skilled robot, programmed to handle all aspects of coordinating with House, the majordomo system of the manor. This facilitates any and all of the Master’s needs. Clothing selection? Check. Travel plans? Check. Shave? Check. One day, however, Charles goes a bit far. Master is unable to give new orders to Charles or House or any of the other servants, and Charles finds that an odd bit of staining is appearing on everything he’s touched in the time since he last shaved Master.

Soon, an investigation is underway, and Charles is ejected from the Manor into the wider world. Unfortunately for him, the outer world is a largely uninhabited wasteland. Fortunately, he has one more thing in his task queue. He sets off to have his malfunctions examined by a diagnostician. So begins his trek across the post-apocalyptic landscape in search of answers and a new Master to serve.

Service Model almost immediately made me think of Douglas Adams, and I can only attempt to describe the protagonist as a mashup of Marvin the Paranoid Android with Wadsworth, the butler from Clue. Our deteriorating valet needs to find out why he acted the way he did as well as what happened to all of the humans. Along the way, he gets into increasingly philosophical discussions about humanity or the lack thereof, with a growing self-awareness. The journey is more important than the destination, after all, and an unexpected companion quickly adds complications to both Charles’ sense of self and his quest.

I absolutely loved reading this book. It’s a phenomenal wandering hero narrative, with elements of allegory reminiscent of The Pilgrim’s Progress. I’m very grateful to Tor Publishing and NetGalley for an eARC in exchange for a fair review. Service Model is out today.

Daniel M. Ford blew me away last year when I got to read The Warden. At the time, I had said that I was hoping that I would get to spend more time in Aelis’s world soon, and guess what? Necrobane is here.

This book picks up immediately where The Warden left off, so heads up. Here there be spoilers.

Aelis is a necromancer and a noble scion. She’s a child raised in wealth in a large city, trained in magic and combat. In short, she is the antithesis of most of the people that she is, as a Warden, charged to protect. In her efforts to defend the village of Lone Pine, she accidentally activated an unknown number of animated dead of Mahlgren, necromancy-fueled remnants of the last war. While she was able to defeat the handful of skeletons that arose within the chamber she was exploring, she learned that there are far more similar crypts scattered throughout the realm. Now that they’re active, they’re likely to be heading in the direction of her new home. Just as the villagers were beginning to trust the outsider, now she’s got to warn them about an impending invasion of restless dead that are technically only emerging because of her actions.

Rather than leave the people of Lone Pine to fend for themselves, Aelis quickly hatches a plan to seek out a control mechanism that could potentially deactivate the entire enemy force. She narrows down the likely location to a stronghold of a fallen empire and gathers her allies. She may be a skilled and talented Necrobane, able to defeat animated dead with her own magic, but this struggle isn’t a solo venture. Up first, of course, is Maurenia. The half-elf is a skilled soldier and engineer, and her status as Aelis’s lover doesn’t hurt her chances to be invited along. Next is Timmuk, a dwarf merchant and a coworker of Maurenia’s on their last excursion across the frontier of Ystain. Last but not least is Tun, a half-orc woodsman who assisted Aelis on her previous adventure. Tun’s skill as a tracker is invaluable in their journey through the wilderness. Together, they hope to cut off any animated dead before they’re able to even approach Lone Pine. Ideally, they’ll put them down before any tensions between the humans and orcs along the frontier can be strained and reignite a war. Plus, maybe they’ll find some treasure along the way! As long, that is, as the control mechanism actually exists…

Ford’s writing and world-building remain top-notch throughout Necrobane, and it makes a spectacular continuation to the story established in The Warden. The stakes are higher now, and Aelis’s skills are going to be pushed to their limit if the party has any chance of succeeding. I am still wildly in love with this series, and will continue to recommend it for any fantasy fan who enjoys D&D and books like Gideon the Ninth and Legends & Lattes. I know at this point that we’re expecting a 3rd book in Aelis’s adventures in the near future, and I am ready for it.

My utmost thanks (once again) to Netgalley and Tor Publishing for access to an eARC of this book in exchange for a fair review. Today is publication day, so go grab yourself a copy.

Shesheshen woke up early, and is understandably upset. Her hibernation in her lair was interrupted by a trio of would-be monster hunters, and she was only able to kill and eat one of them before the others escaped. Using some of the dead hunter’s remains (and other bits of the ruins where she lives), the shape-shifter is able to build herself a bit of human-like body framework so that she can sneak down into the nearby town to see what’s changed since she was last awake. Borrowed bits of flesh and bone give her body more of the appropriate shape, allowing her to fake her way through some interactions. When her disguise fails in the middle of a festival celebrating her imminent death, she’s chased back out of town. The crowd, including the two survivors of the raid on her lair, pursue her until she falls off of a cliff.

Upon her next awakening, she’s startled by the presence of a human woman who has treated her wounds, wrapped her in blankets, and stoked a fire. The woman, an outsider not from the village, introduces herself as Homily. Before the monster can really focus on what’s happened, she’s being fed soup and entreated to rest by a woman who is clearly oblivious to Shesheshen’s monstrous nature, taking any oddities about her as symptoms of having just fallen over a cliff. Homily loads her into a cart and strikes off back to town. Soon, she’s in Homily’s room at a local inn until she can finish convalescing. A couple of things strike Shesheshen, then. First, the people of the village seem terrified of Homily. Second, she is beginning to feel… feelings. An odd sort of mutual attraction seems to be blooming between Homily and the woman she knows as Siobhan. Homily feels a genuine attraction to the monster she’s rescued, but she has no idea what Siobhan actually is.

As the two are getting to know each other and growing closer, though, the reason for Homily’s presence in Underlook comes to light. She’s the daughter of the Baroness Wulfyre, one of the family that rules the isthmus where Shesheshen lives. She’s also a master monster hunter in her own right, and had come to the village to assist her brother in hunting down the Wyrm of Underlook. Unfortunately for her, her brother Catharsis was the monster hunter that Shesheshen devoured before she and Homily met, and all of her remaining relatives believe that Shesheshen has cursed their line. Now Shesheshen is torn. Does she continue her charade or reveal her monstrous nature to Homily and hope that she can be forgiven for who she is? She’s finally met someone who might be a suitable host for her eggs, but if Homily figures out her identity, siding with her admittedly toxic family means Shesheshen’s death.

John Wiswell has released a brilliant debut novel with Someone You Can Build a Nest In. It’s a delightfully bizarre fantasy romance told from the perspective of a monster, and I’m utterly entranced by it. His descriptions of Shesheshen’s odd morphology and attempts to human are charming and disturbing simultaneously, and the Wulfyre clan (barring Homily) are suitably horrible. All in all, it’s an unconventional love story that will leave you questioning what relationships can be, and whether we can grow to become more than what our parents expect us to become.

My utmost thanks to NetGalley and DAW for an eARC of this title in exchange for a fair review. Someone You Can Build a Nest In is out in stores today, 4/2/24. Check it out.

It’s Halloween in Proofrock, Idaho, and all of the ghosts are coming home.

It’s been almost four years since Dark Mill South rampaged through the town, just over eight since the Independence Day Massacre. Jade Daniels, survivor of both of these incidents, is now out of prison and back in her home town, finding a new place to… well, to exist. She can’t be said to be thriving, but that’s to be expected in a town that still largely blames her for the slaughters. She’s taken a position teaching history at the high school, carrying on the legacy of her favorite teacher. History’s a good subject for the girl who needs to know about all of Proofrock’s dangers, after all. Stacy Graves. Ezekiel. Drown Town. After all, she faced down killers twice and lived. Now she’s got medication and therapy, and she’s finally working her way through her trauma (at least as far as the murders go).

But now, The Angel of Indian Lake is the third book in Jade’s story, and that means it’s time for Scream 3’s trilogy rules:

1.) “You’ve got a killer who’s gonna be superhuman. Stabbing him won’t work, shooting him won’t work. Basically in the third one, you gotta cryogenically freeze his head, decapitate him, or blow him up.”

2.) “Anyone, including the main character, can die.”

3.) “The past will come back to bite you in the ass. Whatever you think you know about the past, forget it. The past is not at rest! Any sins you think were committed in the past are about to break out and destroy you.”

On Friday, October 13th, 2023, two of Proofrock’s teens went missing, along with one’s younger brother. Because it has to begin on Friday the 13th. Those disappearances become more significant when bodies are found on Halloween. Jade herself initially dismisses the vanishing teens, even though the older two are her students. Before the bodies are found, she can write it off as a young couple who have taken off to find their fortunes somewhere beyond Idaho, or maybe to save a little brother off to find his errant father. She tries to convince herself that it’s only a coincidence, that a new slasher cycle isn’t starting. It can’t start now, not when Proofrock’s final girl, Letha Mondragon-Tompkins, is out of town. But things are starting to pile up.

There’s a wildfire burning in the Caribou-Targhee National Forest and many of the residents of Proofrock are leaving town. The wealthy soon-to-be residents of Terra Nova, across the lake from Proofrock, are desperate to save their under-construction homes from the blaze. They’ve offered a cash reward to anyone who stays to help create a firebreak: $1500 to anyone taking an axe, $3000 to anyone taking a chainsaw. Soon, an impromptu fire brigade has assembled out in the woods, and someone—or something—is stalking them. Local game warden, Seth Mullins, was supposed to be in the fire watchtower, but he’s gone off-grid (and may be the source of the fire). Banner Tompkins, Letha’s husband and Proofrock’s current sheriff, is hoping to set out to the far side of the lake to find Mullins, leaving his and Letha’s daughter Adie at the police station with his secretary. What Banner knows, though, is that several dead bodies have been found, and all signs indicate that they’re Jade’s missing students. Despite Jade’s insistence that there’s not a new slasher in town, Banner isn’t so sure. As the day wears on, things are only going to get worse, and as the rules state, anyone can die this time around.

Stephen Graham Jones has knocked it out of the park with The Angel of Indian Lake. It’s a spectacular, gory finish to the series that instilled me with a love of slasher films. I’ve been a fan of Jones’ writing since I first picked up Mapping the Interior, and this book is a brilliant showcase of his skill. Setting the primary action over the course of a single night and shifting narration fully to Jade’s first-person perspective, he’s pulled all the stops and no punches as Jade breathlessly races toward her destiny. The time of Proofrock’s reckoning is at hand, and for Jade, it’s personal. Let’s go.

My utmost thanks to Saga Press and NetGalley for an eARC in exchange for a fair review. The Angel of Indian Lake is out today. Go get yourself scared.

There’s no family like found family. I adore found family stories, and I love sci-fi, and that means that L.M. Sagas’ debut novel, Cascade Failure, was right up my alley.

Jal is a mutant, genetically engineered to work in space mines. He’s stronger and faster than a normal human, and on top of that, he can see ridiculously well in the dark (though he needs to wear special tinted lenses any time he’s in standard lighting). He’s also on the run. The Guild, one of the three major powers in the galaxy, thinks he’s a deserter from his unit. All he wants to do is get back to his sister and niece, the only family he still has.

Eoan is an artificial intelligence. They’re the captain of the Guild ship Ambit, and because they’re an AI, they are able to take on jobs for the Guild that a lot of other captains won’t risk. Nash is a modified human who serves on the Ambit as combination medic and engineer. She keeps the old, rusty ship in the sky and keeps the crew on their feet. Saint is the big guy, equal parts brawler and pilot, and a former soldier who once served alongside Jal. Together, the three have been doing alright. When Eoan spots Jal skulking through a space station where the Ambit is docked, they decide to take a chance, luring him on board. After a brief confrontation, Jal reluctantly agrees to accompany them to the Guild’s council of captains so that they can try to clear his name.

On the way, the Ambit picks up a distress call. The source turns out to be a dead planet, where something has gone horribly wrong with the terraforming (or maybe horribly right). There, the crew finds a young engineer who believes that she has found evidence of a massive conspiracy between the two other galactic powers, the corporate Trust and the labor collective Union. She believes that she can fix the terraforming problem that killed the world she was found on. She’s going to need Jal, Saint, Nash, and Eoan’s help to do it, and stopping the death of more planets might just get them all killed in the process.

Sagas’ writing is strong, and the characters of Cascade Failure are solid, moving beyond standard sci-fi archetypes. It’s a fun and engaging sci-fi thriller that’s perfect for fans of things like Cowboy Bebop and The Murderbot Diaries. It’s out from Tor Publishing Group today, and I cannot recommend it highly enough.

My utmost thanks to Tor and Netgalley for an eARC in exchange for a fair review.

Once in a while, a book will come along that just surprises the hell out of me in the best way. The Last Bloodcarver is one of those books. The city of Theumas is heavily industrialized, pushing the limits of technology and science. Nhika is struggling to get by, peddling oils and herbs and generally posing as a healer. Thing is? She actually can heal people, reading someone’s body with a single touch to diagnose them. Nhika is a heartsooth, in the tongue of her people. The citizens of Theumas, however, fear the abilities she wields, and call her a bloodcarver. The power to manipulate a a body requires only energy and knowledge, and when Nhika has both, she can be deadly. However, she would far rather honor the memories of her lineage, her deceased parents and grandparents, and all the other heartsooths from the island of Yarong that have gone before her. Nhika is the last surviving member of her family, and to the best of her knowledge, the last heartsooth.

When a scam job goes wrong, Nhika ends up in the clutches of The Butchers, a gang of thieves who deal in rare animals. As far as they’re concerned, a proven bloodcarver is just that, and they plan to sell her to the highest bidder. That bidder turns out to be a 15-year old girl named Mimi. Nhika is whisked away from Butcher’s Row to an elaborate estate and introduced to Mimi’s brother Andao, the and informed that they are the children and heirs of one of Theumas’ leading tech magnates. Their father has died, and they suspect foul play. Only one man was witness to what happened to Mr. Congmi on the night he died, and that witness is now in a coma. It is with the desperate hope that he might have memories of the death that Mimi and Andao sought out Nhika and her abilities. If Nhika can heal him, he might be able to tell the siblings what actually happened to their father.

Nhika must soon begin to navigate the upper echelons of a society that would kill her for her talents, learning more about medicine and politics in order to blend in at the Congmi estate. How long she can keep her secret when the grounds are buzzing with people? Was Mr. Congmi’s death really just an accident? Is that doctor’s young aide flirting with her? Will she be able to find peace in her family’s traditions when everyone she loved is dead?

Vanessa Le has created an enthralling world in The Last Bloodcarver. Using her own Vietnamese heritage as a background, she’s wound magic and history together in an immediately engaging story. This book starts off fast and doesn’t let up. This is planned as book one of a duology, too, and I’m already looking forward to the follow-up work.

The Last Bloodcarver is out from MacMillan today. My utmost thanks to the publisher and Netgalley for providing an eARC in exchange for a fair review.

I read Premee Mohamed’s The Butcher of the Forest yesterday, and I’m pretty sure I’m not okay. It’s a fantastic novella, and that’s the problem. It’s too good, and now it’s done.

Veris lives in the valley that is ruled over by the Tyrant. She spends her days raising rabbits and helping her aunt and her grandfather with gardening and other tasks around the house. Most days, that would be more than enough, but today is not like most days.

Today, Veris was shaken out of bed by the Tyrant’s soldiers attempting to tear down her front door. Today, she was put into a carriage and taken to the Tyrant’s castle. Today might be the last day of her life. Last night, the Tyrant’s two children, Eleonor and Aram, vanished into the woods that lie north of the castle. Where the southern woods are often traveled by foragers and hunters, the northern woods are understood by the locals to be dangerous. No one who goes into the northern woods comes out again. Except, that is, for Veris.

Years ago, Veris ventured into those woods to rescue a child, and they both returned. Somehow, that information made its way to the ears of the Tyrant, and now he has had his soldiers drag her to the castle. Today, he has ordered her to find his children and bring them back home, or her life and those of her aunt and grandfather are forfeit. So it is with rapidly dwindling hope that Veris returns to her house to prepare. The northern woods are more dangerous than anyone other than her knows, and all she can do is try. Today, she will gather up her totems and supplies, and she will go to the woods. Today, she will risk everything she has in order to save it from the Tyrant’s whims. Today, she will try to save the children of a monster.

The Butcher of the Forest is quick and beautiful and painful as a knife through the ribs. Premee Mohamed has created a fairy tale to rival legends, with fae creatures and monsters and all the rules one must follow in order to survive. My utmost thanks to Netgalley and Tor Publishing Group for an eARC in exchange for a fair review. It’s available for purchase on February 27th, but if you can, preorder it through your favorite bookstore today. You’ll thank yourself.