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So, Philip, you didn’t post anything new in between the end of July and mid-October. What’s that about?

Well.

One, I got a little burned out on reviews. I try to space them out so that I’m not struggling to catch up and actually give each ARC the time and consideration it deserves, but sometimes the publication schedules mean I’m not able to do that. As you may have seen, I’ve now added two new ones.

Two, as much as I love the Renaissance Festival and the time I spend there, it is exhausting to add 16+ hours of work to each week for two months. An extra 64-ish hours of work per month, including extra driving, and less time with the family means that I have to re-prioritize on the fly quite a bit. So I did what I usually do at the end of Faire season and took a couple of weeks of vacation to spend with my kids before the school year got started again.

Three, we got ducks. Like, no joke. We own ducks. Five runner ducks (we started with six of them, but one of them didn’t make it to adulthood). We got a duck hutch from my in-laws (it had been in the yard of their new house when they moved to town) and got it assembled, and now the ducks have a nice shelter to live in set up in our back yard. Mr. Flappy, Randall, Mangocheese, Jessica, and Six are approaching egg-laying size, and they have eaten all of the problematic insects that are trying to eat our garden. It’s really a win-win. I’ll admit that I’ve grown rather fond of them in such a short time, and the kids love them too.

Four, I lost one of my favorite people in the world in August. We had known for a while that Dan wasn’t likely to make it through this year, but it didn’t make it any easier to say goodbye. I’m grateful that I had the chance to sit with him, share some memories of our work at the Renaissance Festival together, and tell him that I loved him.

Five, it’s hard to find time to write for funsies when all of the above is happening.

And that’s all without the regular library work and the world burning down around us.

So yeah. I’ve not had a lot of time to dedicate to writing. Sorry. It sucks, but that’s life, I guess.

Anyway, it’s mid-November now, and I’m finally getting back to writing some reviews and starting on some new stories. I’ll keep trying to get some fun stuff put together. Lately, I’ve been playing a lot of Minecraft and Magic: The Gathering with my kids, and kicking ass up and down Olympus in the early access version of Hades 2.

Oh, and big changes on the work front. More on that soon!

And now the story of Raine Wildrose does come to an end. A little over a year ago, I was introduced to Ed McDonald’s spectacular fantasy series when I was offered an advance copy of Traitor of Redwinter. I hadn’t read the first book, but I was so intrigued by the concept that I binged the audio version of book one in order to get through book two by publication day. Now the trilogy has come to an end.

Previously, Raine learned that her lord and trainer among the Draoihn, Ulovar LacNaithe, was dying. As it happened, his strength of magic was being drained from him and channeled into his nephew, Ovitus LacNaithe. Under the manipulation of Sul, one of the Fallen Lords, Ovitus was positioning himself to take over the leadership of the Draoihn of Redwinter. Ulovar sacrificed himself to grant Raine the power she needed to escape Ovitus’s clutches, and Grandmaster Robilar sealed herself in stone to stop Sul. Ovitus, however, remains in power. Now he seeks desperately to access the Crown that lies beneath the castle at Harranir, but without access to the Fourth Gate of the Draoihn, he can’t gain entry to the Blackwell where the Keystone lies in store. No Keystone means no entry to the Crown itself. No Draoihn who remain loyal to Ovitus can access the Fourth Gate, and his own attempt to take his uncle’s was cut short by Ulovar’s death.

Raine’s connection to the Sixth Gate, the Gate of Death, is now undeniable. She is one of the Sarathi. She died a third time at Sul’s hands, only to be saved by Sanvaunt’s awakening of the Fifth Gate’s healing powers. Thanks to Esher and Sanvaunt’s intervention, all three of them managed to flee from Ovitus. Now, however, they are trapped in the Fault, a sort of in-between world filled with half-dead creatures and the other Fallen Lords. The trio’s only hope for survival lies with The Queen of Feathers, the mysterious woman who has been guiding Raine since the day she first met Ulovar. Raine believes her to be imprisoned somewhere within the Fault, but journeying anywhere there is a painful undertaking. Getting out of the Fault is only the beginning, though. Raine is filled with the memories of the other Sixth Gate users who came before her, and she must learn to use their power without losing herself if she and Sanvaunt and Esher are going to have any chance to save the world. Raine also desperately wants to save the two of them, but is torn between her love for each of them and their feelings for one another.

The Redwinter Chronicles very quickly became one of my favorite series. Ed McDonald has written a spectacular and clever fantasy version of the UK. Raine is a complicated protagonist, frequently conflicted in her choices due to her forbidden abilities to see the dead. Now coming into the full potential of her power, she’s going to be dealing with more difficult decisions than ever before. The fate of the world is at stake, and the only person who can save it is the one thing the people fear the most: a witch queen.

Witch Queen of Redwinter is available as of last Tuesday, November 12th. Go check it out. My utmost thanks to Netgalley and Tor Publishing Group for the eARC in exchange for a fair review.

Spooky times call for spooky stories, and few times are spookier than the week of Hallowe’en. So it is with great pleasure that I present my review of Don’t Let the Forest In, a young adult novel from CG Drews. Don’t Let the Forest In is a psychological horror novel set in a prestigious boarding school, Wickwood Academy. It’s there that Australian-born twins, Andrew and Dove, first met Thomas. This is the trio’s senior year, but even on the first day back, everything seems to be going wrong.

Dove and Andrew have been fighting before they even arrive at the school, and all Andrew wants to do is find Thomas so that the three of them can resume their standard undefeatable crew behavior. Thomas is acting oddly, though, even for him. He seems more on edge than usual, there’s blood dried on his shirt, and he’s not talking to Dove. Previously, Andrew would write stories to vent his darker side. Thomas would illustrate them. Dove would serve as the boys’ connection to the real world, anchoring them and helping them through their academic struggles. Now, police are showing up to question Thomas about his parents’ whereabouts, and Andrew doesn’t know if he can even trust his twin. He doesn’t want to alienate Dove by discussing the way he feels about Thomas, he doesn’t want to risk losing Thomas by admitting that there may be more than just friendship between them, and he really doesn’t want to think about the possibility that Dove and Thomas are already engaging in a more serious relationship.

As the year grinds on and Thomas seems to be more exhausted, though, a secret comes out. He’s been sneaking out of the school into the woods at night to fight monsters, his own drawings come to life. The darkness within Andrew’s stories spilling from the pages of Thomas’s sketchbook now threatens everyone at Wickwood. While Andrew volunteers to go out in the dark to do battle alongside Thomas, it doesn’t seem like it’s going to be enough. Even destroying the sketchbook doesn’t stop the horrors from tumbling out into reality. Andrew already knows he would kill to protect Thomas. If it comes to it, could he kill Thomas in order to save Dove and the rest of his schoolmates?

Don’t Let the Forest In is a fantastically dark adventure, and I’m ridiculously grateful to NetGalley and MacMillan for sending me an eARC in exchange for a fair review. It’s out in the world as of yesterday, October 29th, and is an absolutely perfect Hallowe’en read. Go get it.

Hey gang, it’s been a minute. Sorry that life happened, and some things slowed down the reviewing process. But now, I get to catch you up with one of last week’s new releases, Sung-il Kim’s phenomenal Blood of the Old Kings.

The Empire rules over all, wielding Powered armor and vehicles to overwhelm any who might try to stand against them. Those who have survived its onslaughts now struggle to maintain the ways of their ancestors. The Empire claims to be a force for good, but anyone who lost family, friends, or land knows that for the lie that it is.

In the territory once known as Arland, a woman named Loran seeks revenge for the death of her husband and children. In her desperation, she seeks out the dragon that is rumored to live beneath a volcano. There, she finds a living (albeit sleeping) legend who grants her tremendous power in the form of a flaming sword.

In the Capital, Cain is an orphan, a now-grown child of anti-Imperialist parents who were killed for their resistance. Cain is hunting for answers as to who killed his friend and why. His search quickly brings him under the scrutiny of the Empire as he learns more about the Arlanders his friend was helping.

And at a school for mages, mediocre student Arienne is feeling at the end of her rope. The best future she can hope for is to become a Power generator upon her death, sealed into a lead coffin to provide energy for the Empire’s machinery. Such is the fate of almost all sorcerers in the Empire, but she’s been offered a new chance. A mysterious voice is guiding her to escape the school and the Capital altogether, promising her the chance to learn real magic.

On their own, each of these three is potentially a threat to the stability of the Empire. Between the three of them, they might just topple it. Blood of the Old Kings is a clever and creative fantasy novel, spectacularly translated from the original Korean text. Familiar elements like a Roman Empire-inspired military legion in Warhammer-esque armor make for a thrilling bit of reading. I couldn’t help being reminded of Boudicca and her efforts against Rome. Sung-il Kim has provided a fresh perspective on a European-inspired world, and I’m happy to say it’s a lot of fun to read. My utmost thanks to him, NetGalley, and Tor for the eARC in exchange for a fair review. Blood of the Old Kings has been out in the world since last Tuesday, 10/8/24. Go check it out!

L.M. Sagas won me over earlier this year with the spectacular sci-fi/found family novel Cascade Failure. Today, she’s back with a sequel!

It’s been a few months since the events of Cascade Failure and the Guild crew of the Ambit have been spending their days watching over Drestyn, the agitator who’s quest for revenge led to the events of the first book. While they anonymously leaked a large number of Trust records in the aftermath, their captive still holds many more. So as Jal is recovering from his injuries, Saint, Nash, and Captain Eoan help out with the security shifts that monitor the Guild’s prison cell. Should be an easy detail, but nothing is ever as easy as it should be.

The day that Drestyn is transferred from the Guild station, Saint and Nash are led on a chase through the underbelly by none other than Jal. Turns out that some of Drestyn’s buddies have a plan to break him out, and that starts with kidnapping Jal’s sister. As soon as Jal breaks the news to the rest of the Ambit crew, they set off to find the kidnappers, with Jal’s niece in tow. Our lovable found family of misfits may even have to save Drestyn himself along the way, lest the secrets he holds do more harm.

Like its predecessor, Gravity Lost is a great ride. It’s fun, creative sci-fi with nice modern pop culture nods here and there that help it feel grounded in our reality. It’s a solid and successful follow-up, and helps to better build out the universe that Sagas introduced us to earlier this year. Go check it out for yourself. Gravity Lost was released on Tuesday, 7/23. Thanks to Tor and NetGalley for an eARC in exchange for a fair review.

There is a great evil approaching. The last Guardian of the West Passage is dead, and rather than officially naming her apprentice as her successor, she used her last words to give him a single command. “Tell Black it’s coming.”

Kew should have been named as the next Hawthorn of Grey, the new Guardian, the most recent of a long line of people to hold the name and the title designating him for duties not fully understood in living memory. Now he must make the journey from the Grey Tower to the Black Tower in order to pass along his teacher’s message. If he can accomplish this, then he might prove himself worthy of recognition as a Hawthorn, taking the place he has been training for all his life.

Pell is an apprentice to the Women in Grey, an ancient order who exist to provide funerary care to the other people of the city. When Hawthorn is brought to the women for her funeral, Pell briefly crosses paths with Kew and sneaks away with a book that Hawthorn had in her possession.

The first indicator that something is wrong occurs during Hawthorn’s services, when her funerary mask is accidentally broken. Between that and the theft of the book, Pell begins to fear that her actions are bringing time itself out of alignment, with snow beginning to fall in what should be the middle of summer. Rats are pouring out of statues, and none of the women can be bothered to guess if something is truly amiss.

Jared Pechaček has created a somehow vibrant ruined world, reminiscent of Gene Wolfe’s Book of New Sun, blending things both magical and technological and decades or centuries past their prime. Frankly, I love worldbuilding that deliberately hides or doesn’t worry about how everything works, leaving plenty of mysteries in place. A massive palace ruled over by the Ladies (mysterious and powerful giant beings) serves as the setting for the entire novel, and it’s filled with ominous creatures as well as new allies for Kew and Pell as they go their separate ways to set things right.

The West Passage came out on Tuesday, 7/16, and it’s an absolute joy of a novel. It’s weird and truly fantastic, and I can’t wait to see what Pechaček does next. My utmost thanks to Tor and NetGalley for an eARC in exchange for a fair review.

Hey, look! There’s a new Stephen Graham Jones book out!

I mean, naturally, I picked it up for review, so here we are.

I Was a Teenage Slasher is the story of Tolly Driver, a 17-year-old boy in the small town of Lamesa, Texas. While not a stunningly popular kid in his school, Tolly is largely unremarkable before everything goes wrong at his classmate Deek’s party. Before that night, he was known mostly for his deathly peanut allergy and for the tractor collision that killed his father. It’s the summer of 1989, and all hell is about to break loose.

See, another student who was trying to fit in with Deek’s gang died during a hazing ritual. In true slasher fashion, he rises from the dead and comes back for a roaring rampage of revenge, meting out justice to all of the other high schoolers who didn’t prevent his death in the first place. In the aftermath of that encounter, Tolly ends up getting some of the killer’s blood into an open cut on his own forehead. Now things are getting weird. Vehicles fail to start when he’s around. The kitchen knife makes an audibly sharp SHTING sound when pulled from the wood block, but only when he does it. Is Tolly Driver the new killer?

I Was a Teenage Slasher isn’t the first time Stephen Graham Jones has tackled horror from the killer’s perspective. This is his wheelhouse, after all. He plays with classic slasher movie tropes much as he did in his Angel of Indian Lake Trilogy. This time, though, we’re dealing with a delightfully reluctant killer who gradually becomes aware of what’s happening to him, but unable to stop himself. After all, he’s not the final girl. No matter what, he’s definitely going to be notable now.

My utmost thanks to Saga Press and NetGalley for an eARC of this one in exchange for a fair review. I Was a Teenage Slasher is out in the world as of yesterday, 7/16/24. Run out and get it. Just… watch your back.

In which Chuck Tingle goes to Hollywood.

Misha Byrne is a screenwriter, and he’s just locked in his first Oscar nomination. He’s also gay, and executive meddling is on the cusp of forcing him to kill off the two queer leads of his latest TV series. Nearly four seasons of wildly successful X-Files-esque television, and he’s finding his work being subject to one of the oldest tropes in fiction: bury your gays. For Misha, this is particularly egregious, as his favorite childhood show fell victim to the same treatment years before. However, if he doesn’t go along with the studio’s plans, he’ll be in breach of contract and lose his job, and potentially any chance of working in Hollywood again.

Then, things start to get weird at the studio lot. Raymond Nelson, one of the oldest working animators at the studio, is crushed by a piano in an ironic echo of a cartoon death. Not long after, Misha spots a character from one of his horror films while walking out of a bar. This omen warns him that he has only five day to live, a timeline that coincides with the night of the Academy Awards ceremony. Soon, more of his horror characters begin intruding into his life, and he’s forced to face the very real traumas that shaped his career (and are threatening his boyfriend). Will Misha succumb to studio pressure by Oscar night, or will he fall to a twisted version of one of his own creations?

Chuck Tingle is absolutely killing it in the horror genre, y’all. Bury Your Gays is littered with little nods to actual Hollywood staples, all while carefully avoiding name-dropping any specific real world studio. Tingle builds phenomenal tension and intersperses some clever screenwriting aspects between segments of the story. This is a brilliant follow-up to last year’s Camp Damascus, and further solidifies Chuck as a horror writer of note. My utmost thanks to Tor Publishing Group and NetGalley for an eARC in exchange for a fair review. Bury Your Gays is out as of yesterday, 7/9/24. Go get it.

Alice is the last surviving human in the universe, and she’s on the run. When she was exploring the Alta Sidoie market, she found something in a scrap collector’s booth that was far more than met the eye. Unfortunately for her, she wasn’t the only one who recognized it. Now she’s being chased throughout an intergalactic portal network by a warmongering alien race that wants to use the weapon-controlling AI she found to attack anyone who has ever wronged them.

Alice fell into the portal network by chance, an accidental bit of access from a world that wasn’t supposed to be able to connect. She was observed by the Archive, one of the unifying forces for good in the universe, and sent back to report on humanity as a whole. Eventually Earth’s conflicts grew to the point where the Archive opted to quarantine the world instead of attempting to keep helping, leaving humans to their own slow self-destruction. Alice, however, was allowed to keep performing work for them. Now alongside her virtual assistant, Bugs, she’s employed as a blend of archaeologist and grave robber for the Archive, trading in favors and information as well as artifacts.

Alice has her hands on the key to one of the most powerful remaining weapons in the galaxy, and the enemy is closing in. The AI is a threat to everyone, but Alice is determined to save Gunn, the being trapped in the heart of the artifact. She doesn’t know who she can fully trust, but she’s going to do whatever it takes to free him.

Elaine Gallagher has packed a tremendous amount of detail into a very small package with Unexploded Remnants. This novella is fast-paced and a hell of a lot of fun. World hopping action and clever characters reminiscent of Indiana Jones, Lara Croft, and Evelyn O’Connor make for a quick, entertaining read that still manages to provide commentary on weapons of war and how we treat soldiers.

My utmost thanks to Tor and NetGalley for an eARC in exchange for a fair review. Unexploded Remnants is out today, 6/25/24. I hope you enjoy it as much as I did.

Gretchen Felker-Martin is back! It’s been two years since Manhunt dropped, and the world is still reeling from her spectacularly violent, grimy apocalypse novel. Now she’s written an arguably darker tale of queer fear in Cuckoo.

Like its predecessor, Cuckoo is undeniably a queer horror story. The novel introduces us to a group of teens, each of whom has been violently removed from their home and forcefully transported across the country. Their only crime? Being a queer teen in the 90s, for which their parents shipped them off to be changed. When they arrive at Camp Resolution, a desert-based conversion camp, they have nothing but each other, and no idea what they’re about to face. They don’t even know what state they’re in. Far from home and cut off from the outside world, they’ll have to band together to make it out unchanged.

Camp Resolution is, in a word, weird. The educational curriculum is pseudoscience, the physical activities consist of backbreaking labor or myriad household chores (depending on assigned sex), and the counselors are not just prone to violence but actively encourage it. The campers who have been there longer are brutal to the newcomers, and even Pastor Eddie, the leader of the camp, won’t hesitate to beat any of the teens who don’t bow to his whims.

Something darker still lurks in the shadows of Camp Resolution, though. The campers who have graduated from the program are… different. Not themselves anymore (and while some would argue that yes, that’s the point of a conversion camp, Resolution’s strategy relies a lot less on prayer and the Bible). Then, the dreams begin. The same dream. Each camper is digging a hole, and they find their own body buried deep in the earth. Something is reaching out to them, speaking to them… preparing them. Our ragged misfits know that they have to escape the camp, before they too are irrevocably changed.

Gretchen Felker-Martin absolutely nailed the building dread in Cuckoo. This book is just as filthy as Manhunt, and I mean that in the best way of describing her aesthetics and worldbuilding. I was thrilled to find out that her sophomore effort was an incredibly solid piece of horror. Cuckoo is out in the world today. Go get it. Read it. Get scared. Repeat.

My utmost thanks to Tor and NetGalley for an eARC in exchange for a fair review.