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Dear readers, I have done myself a disservice by not reading Annalee Newitz’s work before now. I had picked up a copy of Autonomous from my library back in 2017, but I never managed to get around to it. Now, I know that I have to come back. Newitz is a phenomenal world builder, and in their latest book, The Terraformers, they do it literally.

The Terraformers tells the story of Destry, a sort of forest ranger of the future. Destry lives on the planet Sask-E (or Sasky, as most of the locals have taken to blending the name), and along with her partner, a moose named Whistle, she has spent centuries carefully guiding the ecosystems into an Earth-like state. Destry and Whistle are members of the Environmental Rescue Team, or ERT, and on Sasky, they work under the corporate authority of Verdance, a real-estate company that deals in planets.

Destry and Whistle are used to working on a slow scale, shaping a world in a way that maintains its harmony. Neither of them is expecting the sudden shift in Sasky politics when a city full of older ERT rangers is found, hidden away from Verdance’s knowledge. Soon, the two are caught up in a storm of corporate ideology, civil rights, and what it means to be a person on a planet that’s isolated from the rest of the universe. After all, terraforming is long series of violent actions, forcing a world into the condition you desire. The tools that are used can be deadly in the wrong hands.

The Terraformers is a deep dive into politics and relationships the likes of which I haven’t read since Ursula K. LeGuin’s The Left Hand of Darkness. It’s the story of a planet that spans centuries and generations. It’s dense, queer, sad, and beautiful. My utmost thanks to the folks over at NetGalley and Macmillan-Tor/Forge for providing me with an eARC in exchange for a fair review. It’s out today. Go check it out.

The Beyond is ever-shifting, a fluctuating space of deadly light and impassible dark, filled with dangerous creatures. An adventuring party must consist of six members in order to venture across the Beyond. One Gate (to open the way and find the paths in the shifting wilderness), one Ghost (who becomes a silent, intangible scout once in the Beyond), one Shotgun (the party’s primary combatant), one Voice (the polyglot communications specialist), one Lantern (to light the way), and one Keeper (who remains behind at the group’s Keep, maintaining a stable entry platform that bridges the Beyond and the solid reality of the Realms. These six members make a Hex. Why six? Something about the magic that the dragons use to travel through the Beyond on their own can only be replicated by a group of six. Too many more than that, and the Beyond can destabilize even further. Too few, and you can’t be protected from the various monsters that call that nightmare place home.

Esther is a Lantern, but she’s semi-retired. Her Hex was suspended from operating a year ago, leaving the rest of her closest friends out of work. One night, a mysterious phone call wakes Esther, a single word from David, her son and the Keeper of the Hex. Immediately, she springs into action to gather the other members of the Hex and rally at the Keep to gather information. David, it seems, has been kidnapped, leaving his spouse Kai and their children behind in the unguarded Keep. Someone has captured him, and Esther must journey across the Beyond to find the party responsible. While Marianne, Gus, Lydia, and Faye all answer Esther’s summons, not all of the Hex is happy to see her again, especially since their suspension means that they’re not technically supposed to be operating in the Beyond at all.

So begins a covert mission to find David and bring him safely home. After all, what wouldn’t a parent do to protect their child?

Kate Elliott has crafted a phenomenal sci-fi novella with group mechanics reminiscent of a Dungeons and Dragons party. I’m fascinated by both the Beyond and the many Realms that it links, and I’m honestly sorry that this is my first time tackling one of her stories. I hope that she revisits this world again soon.

The Keeper’s Six is out today. I hope you enjoy it as much as I did.

My utmost thanks to Tordotcom for providing an eARC of this novella in exchange for a fair review.

Okay. New year’s here again.

I got a decent amount of stuff done last year. Read a lot of books, wrote a decent number of reviews. V and I sold our first house and bought a bigger one to have room for all of us. I showed off my home bartender skills (twice!). We reconnected with some folks in my home town, and took some of the kids out there for their first ever visit to my parents’ house. I lost some friends, and made others.

And now, here we are in 2023.

I’m hoping to get more writing done this year. It’s been way too long since I let myself just dive into a creative project, even just quick poetry. While I’m looking forward to a lot of book reviews, I want to actually tell a story again. On a related note, I want to do more drawing this year too. I know that part of the difficulty I’ve had with creative ventures is the fact that I’ve had to split my attention with work and school and parenting and other work and other hobbies. Most of my original work in the last six months was dedicated to crafting cocktails for amateur bartending competitions. That was fun, and I hope to participate in one again this year, but it shouldn’t be my only outlet. It’s an expensive hobby, after all.

I’m planning to continue in my current position with the library, although I won’t say no if the right opportunity for advancement comes along. Last year, I participated in a leadership training program my employer provides, and so I’m feeling a little more prepared for that than I was before. The combination of that and my MLS makes me more valuable, I guess, depending on what openings are available.

As things currently stand, I’ll be returning to my position at the Colorado Renaissance Festival again this year as well. I’m looking forward to another summer of piracy and not sleeping enough. I may see about using some of my vacation time in the middle of the season this time around, though, rather than just working 7 days a week for 2 months. I think that V and the kids would be grateful. Honestly, so would I. I love doing the whole thing, working the festival, but it’s exhausting and stressful for the whole family.

There’s a lot of books to look forward to this year. As it stands, I’m most excited for the following:

1.) Lost in the Moment and Found by Seanan McGuire. Every January, I’m 100% here for the next book in the Wayward Children series. These novellas are beautiful and heartbreaking, and I can’t wait for this one. It’s out next week.

2.) Don’t Fear the Reaper by Stephen Graham Jones. This one is a sequel to 2021’s phenomenal My Heart is a Chainsaw, and a slasher spectacular in its own right. It drops on February 7th, and is shaping up to be the exceptional middle child in a horror trilogy.

3.) The Witch King by Martha Wells. I’ve read all of the Murderbot Diaries, but I’ve not tackled any of Martha Wells’ fantasy titles before. This one comes out in May.

4.) Alecto the Ninth by Tamsyn Muir. We don’t have an official release date for this one yet, but I’m hoping that it will still publish on schedule around September. I need to know how The Locked Tomb Series ends, and I need to fall in love and get stabbed in the back by Muir’s prose at least twice along the way.

5.) The Archive Undying by Emma Mieko Candon. I’m absolutely hooked by the concept of this one. AI deities and dead cities and Evangelion references, oh my! Look for it at the end of June.

I’m pretty pumped for a lot of movies this year too. John Wick comes back to theatres, we swing back across the Spider-Verse, and Nicolas Cage plays Dracula. I’ll probably stick to DVD/streaming releases for most things, but the timing of John Wick 4 might just be enough to tempt me (albeit masked) back to the theatre.

Then there’s the video game side of things. The Legend of Zelda: Tears of the Kingdom comes out just in time for my birthday, so you can bet that I’ll be revisiting Breath of the Wild between now and then.

Anyway, I’m coming up on twelve years of posting here, so thanks to those of you who have been around the whole time, and welcome to those who are just starting to pay attention to my ramblings. I’ll have book reviews starting soon. See you then.

It’s no secret that I love Neal Shusterman’s Arc of a Scythe series. I’ve reviewed his books before, and I even had the honor of meeting him in person earlier this fall.

Photo of me (left) with Neal Shusterman (right) at a local book signing.

Now I was surprised partway through Thunderhead when I learned that the series wasn’t a duology, but in fact had a third book announced just a few days prior. I was even more excited when I found out that he was returning to the setting with a new collection of short stories. Gleanings hit store shelves yesterday, and folks, it is fantastic.

It feels so good to be back in this dystopia. Shusterman’s worldbuilding is second to none, and even through brief snippets of poetry and prose, it all came rushing back. A planet full of immortals, a small order of people who can render others permanently dead (and in fact are required to do so), and an artificial intelligence that oversees everything but doesn’t interfere with the business of Scythes: all of these components are now familiar. This anthology presents a wide array of new stories, from Scythe Curie’s first conclave after her apprenticeship and her earning of her legendary title to a Halloween party that echoes Edgar Allan Poe’s The Masque of the Red Death. Shusterman and his various co-authors are bringing even more depth to an already expansive world. I can’t thank NetGalley and Simon & Schuster enough for an eARC in exchange for a fair review. Gleanings is out on shelves as of yesterday. Enjoy!

Today I paused a moment beside
My son, kneeling in the gentle
Rain as we waited for the first
School bell to ring, and I showed
Him an earthworm, slowly making
Its way across the pavement of
The playground so that he would
Know to step around it as he and
His classmates moved inside.

Last July, fans of Tamsyn Muir’s delightful Locked Tomb books were informed that they wouldn’t be getting Alecto the Ninth in the fall of 2021 as they had previously expected. Instead, the Locked Tomb trilogy was going to be expanded into four books, with Alecto still set as the final entry, and Nona the Ninth filling in a gap in 2022.

So we waited, albeit not particularly patiently, for an extra year and a half. Three days ago, that wait came to an end, and last night I finished my preliminary time with Nona. Y’all.

Let’s get one thing out of the way first, okay? This is the 3rd book in a series, and as such, some spoilers for books one and two (Gideon the Ninth and Harrow the Ninth, respectively) are unavoidable. You have been warned.

SPOILERS FOR GIDEON THE NINTH AND HARROW THE NINTH MAY FOLLOW BELOW:


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Okay. Ready? Here we go.

Nona is an unexpected character, headlining an unexpected, but long-awaited book. The book opens a few months after the end of Harrow the Ninth and the destruction of the Mithraeum. John “God” Gaius has vanished following His betrayal by two of His Lyctors. Gideon the First has been lost to a Resurrection Beast, and his cavalier, Pyrrha Dve is now the sole inhabitant of his body. Camilla Hect has been trading time in control of her body, swapping with the soul of her necromancer, Palamades Sextus (last seen possessing his own skull, which was transformed into a hand by Harrow in Book 2). Together, Pyrrha, Camilla, and Palamades watch over Nona and try to avoid direct conflict with Blood of Eden, a group that stands in opposition to God and the Nine Houses. But who exactly is Nona?

On the outside, Nona is Harrowhark Nonagesimus, whose body was last seen alongside Pyrrha Dve as Augustine the First threw the entirety of the Mithraeum into the River in an attempt to kill God. But the River is full of lost souls, and something happened to the soul of Gideon Nav, who was piloting Harrow’s body. While Harrow’s own soul appeared to have made its way through the River to the Locked Tomb back in the Ninth House at the conclusion of Harrow the Ninth, her body didn’t go along for the ride. Now the body, Nona, has woken up on the world of New Rho. She and her guardians/teachers are busy trying to figure out just which soul (or souls) reside within her. Is she a necromancer? Is she a cavalier? Is she neither or both?

Right now, Nona is a girl looking forward to her first birthday party; a toddler’s attitude in a teen’s body, new to the world and learning quickly about how complicated her life actually is. She’s working as a teacher’s aide at her school, trying to make friends and to fit in with the students. She walks the science teacher’s six-legged dog, Noodle. She loves Noodle. She’s unbothered by the blue light in the sky that seems to be wreaking havoc on any necromancers who wander outside, and she heals almost instantly from any wound, but she shows no aptitude for any other necromancy. She practices with a sword, but has none of a cavalier’s familiarity with the weapon.

Meanwhile, Camilla, Palamades, and Pyrrha are trying to find the rest of the Sixth House, who fled from their former home in an attempt to evade God’s wrath and are now being held captive somewhere on New Rho. Blood of Eden is threatening to destroy a Cohort facility and kill the soldiers and necromancers of the Nine Houses who have taken shelter there. Tensions are rising, and time is running out. Solving the mystery of Nona’s identity is the key to everything, but no one is making it easy. Will God return to New Rho? Will the Resurrection Beast lurking nearby destroy the planet? What other characters will get cameo appearances this time around? Will Nona get to celebrate her first birthday? Is Noodle a good boy? So many questions, so little time.

Nona the Ninth is beautiful and heartbreaking. It’s a perfect addition to The Locked Tomb series. Tamsyn Muir continues to weave plotlines, juggle bodies and souls, and blend humor and horror in a way that boggles my mind. While the finale is still (hopefully only) a year away, Nona is a wonderful treat for readers. Plenty of twists and turns will keep everyone guessing right up until the end, and then the wild theories can begin again! I can’t wait for Alecto, but I’m so glad to have Nona to keep me company between now and then.

I’m going to go read it again.

Lord of the Flies is a classic piece of literary history documenting the rapid descent of a group of English schoolboys into chaos after being stranded on a tropical island.

Fyre Festival was a disaster of a different sort, with many promises being made to the would-be attendees about an island music festival that would never actually happen.

Goldy Moldavsky’s new YA novel, Lord of the Fly Fest is a beautiful and terrible blend of these two, otherwise unrelated things. Our protagonist, Rafi, is a young and (hopefully) upcoming podcast host with a show called “Musical Mysteries.” She’s staked the success of her show’s second season on snagging an interview with River Stone, the hottest musical act to ever come out of Australia, and also a bad murderer, maybe. His former girlfriend, Tracy, disappeared, and he was the last person to have seen her. So Rafi spends every last dollar she has to be at Fly Fest, an upcoming music festival that everybody who’s anybody on the internet has been promoting. Arrival on the island quickly proves that everything involved with the preparation for the event has gone wrong. There’s no staff to welcome the guests, few tents for shelter, and nothing but an abandoned shipping container full of inedible “cheese” sandwiches for food. Worst of all? None of the musicians who were slated to appear have shown up. None, that is, except for River Stone.

So now, Rafi is faced with a quandary. Does she band resources together to contact the outside world and summon rescue? Or does she let things drag out in the hope of getting that exclusive interview with River, getting the big celebrity shot her podcast needs to get the big endorsement deals (and, y’know, maybe some justice for River’s dead [again, maybe] girlfriend, Tracy). She’s got to navigate an island full of upset social media influencers and makeup gurus to make her plan work, one way or another. But what if getting River out on an island without contact with the mainland is exactly what he needs to kill again? What really lies beneath the surface of Fly Fest?

Lord of the Fly Fest is brilliant, combining the satirical takes of Libba Bray’s Beauty Queens (I’m looking at you, fictional influencer/musician Hella Badid, and bland interchangeable Paul and Ryan) with the atmospheric tension of Agatha Christie. My utmost thanks to NetGalley and MacMillan for an eARC in exchange for a fair review.

Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators’ Revolution is not only a hell of a title, it’s a hell of a book. Author R.R. Kuang (The Poppy War) has produced a brilliant alternate history in which The British Empire rose to power utilizing magic based on silver and linguistics. In the 1820s, a young man from Canton (Guangzhou) is taken from his life on the docks where he picked up bits of language from sailors and raised in London by a man named Professor Lovell. Re-named Robin Swift by his own love of English literature, the boy is drilled with lessons on Greek and Latin, preparing him for a new life at Oxford University.

When Robin arrives at Oxford to take his place at the Translation Institute, however, nothing is what he expected. His neighbor, Ramy, is immediately welcoming (perhaps because they’re both outsiders by virtue of their foreign birth), while the rest of the residents of their hall are less so. A dark conspiracy seems to be building involving a looming war between England and China, and Robin’s skills in the languages of both nations will play a part, whether he wants them to or not.

Kuang’s latest work is a brilliant novel exploring the dark sides of academia and colonization. Robin’s conflict between his heritage and his upbringing mirror the greater struggle between England and China. Class warfare and linguistics blur together as Robin navigates a world that is simultaneously much larger than he knew and much smaller than he could have imagined. You’ll have to read it to believe it.

Babel is out on store shelves as of yesterday. Check it out.

My utmost thanks to NetGalley and Harper Voyager for an eARC in exchange for a fair review.

How far would you go to protect your children?

For Devon and her son, Cai, there doesn’t seem to be a limit. She’s prepared to leave every other member of her extended family behind, betraying everything she’s ever known to ensure that her son will be able to live. She’s even willing to bring strangers home for Cai to feast on when he’s hungry. See, Devon and her son aren’t quite human, despite their appearance. They’re members of a species known as Book Eaters. They are sustained not by food and drink, but by paper and ink. Devour a book and immediately know all of the contents of it. Memorize a document in seconds by digesting it. And Cai? Cai’s not a standard ‘eater. Unlike most members of his species, he craves memories and personalities eaten directly from a victim’s brain.

The Book Eaters are endangered, though, with girls being rare. Women in the Six Families of Book Eaters are married out of their manors into arranged weddings in order to provide genetically viable heirs. Two births per mother, then they can live a comfortable existence in one of the family manors. That’s the way it has to be. But Devon’s separation from her first child left her traumatized, and she was unwilling to go through that pain again.

When Cai is born, it’s expected that he’ll be drafted into the family’s enforcement division as a “dragon” after his limited time with his mother passes. Instead, Devon takes her young son and flees the other Book Eaters, hoping to find a source of a drug that will allow Cai to subsist on books as she does. How long can she make it when a team of dragons is chasing her? How will she cope knowing that her own brother is leading them? You’ll have to read Sunyi Dean’s The Book Eaters to find out.

The Book Eaters is out in stores as of yesterday. My utmost thanks to NetGalley and Tor/Forge for an advance copy in exchange for a fair review.

A while back, Tor Nightfire reached out to me after I reviewed one of their horror titles. They asked if I was interested in an upcoming non-fiction book about horror, and why people like it. I, naturally, said yes. So I was sent a copy of Nina Nesseth’s Nightmare Fuel: The Science of Horror Films, and reader, I loved it.

Nightmare Fuel digs deep into the reasons that people like me enjoy horror movies. A breakdown of the techniques used in horror, like jump scares and repetition, sheds light on the false assumption that horror movies are “switch your brain off” entertainment. Nesseth covers the definitions of fear, horror, terror, and various other terms that tie in to the film watching experience. The book examines the physiological structures in the human brain that respond to particular aspects of horror movies, explaining why our bodies respond the way they do (and consequently, how we create a barrier in our minds to help us understand the difference between a real threat situation and one that’s being shown to us in film).

As I’ve said before, I’m not much of a non-fiction reader under normal circumstances. However, Nina Nesseth has knocked this one out of the park. Nightmare Fuel is a must-read for horror movie fans, combining the science of fear with the history of the genre into a beautiful, quick read. It’s out in the world as of yesterday, so go check it out.

My utmost gratitude to Tor Nightfire and NetGalley for an eARC of the book in exchange for a fair review.