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Category Archives: Review

It’s Halloween in Proofrock, Idaho, and all of the ghosts are coming home.

It’s been almost four years since Dark Mill South rampaged through the town, just over eight since the Independence Day Massacre. Jade Daniels, survivor of both of these incidents, is now out of prison and back in her home town, finding a new place to… well, to exist. She can’t be said to be thriving, but that’s to be expected in a town that still largely blames her for the slaughters. She’s taken a position teaching history at the high school, carrying on the legacy of her favorite teacher. History’s a good subject for the girl who needs to know about all of Proofrock’s dangers, after all. Stacy Graves. Ezekiel. Drown Town. After all, she faced down killers twice and lived. Now she’s got medication and therapy, and she’s finally working her way through her trauma (at least as far as the murders go).

But now, The Angel of Indian Lake is the third book in Jade’s story, and that means it’s time for Scream 3’s trilogy rules:

1.) “You’ve got a killer who’s gonna be superhuman. Stabbing him won’t work, shooting him won’t work. Basically in the third one, you gotta cryogenically freeze his head, decapitate him, or blow him up.”

2.) “Anyone, including the main character, can die.”

3.) “The past will come back to bite you in the ass. Whatever you think you know about the past, forget it. The past is not at rest! Any sins you think were committed in the past are about to break out and destroy you.”

On Friday, October 13th, 2023, two of Proofrock’s teens went missing, along with one’s younger brother. Because it has to begin on Friday the 13th. Those disappearances become more significant when bodies are found on Halloween. Jade herself initially dismisses the vanishing teens, even though the older two are her students. Before the bodies are found, she can write it off as a young couple who have taken off to find their fortunes somewhere beyond Idaho, or maybe to save a little brother off to find his errant father. She tries to convince herself that it’s only a coincidence, that a new slasher cycle isn’t starting. It can’t start now, not when Proofrock’s final girl, Letha Mondragon-Tompkins, is out of town. But things are starting to pile up.

There’s a wildfire burning in the Caribou-Targhee National Forest and many of the residents of Proofrock are leaving town. The wealthy soon-to-be residents of Terra Nova, across the lake from Proofrock, are desperate to save their under-construction homes from the blaze. They’ve offered a cash reward to anyone who stays to help create a firebreak: $1500 to anyone taking an axe, $3000 to anyone taking a chainsaw. Soon, an impromptu fire brigade has assembled out in the woods, and someone—or something—is stalking them. Local game warden, Seth Mullins, was supposed to be in the fire watchtower, but he’s gone off-grid (and may be the source of the fire). Banner Tompkins, Letha’s husband and Proofrock’s current sheriff, is hoping to set out to the far side of the lake to find Mullins, leaving his and Letha’s daughter Adie at the police station with his secretary. What Banner knows, though, is that several dead bodies have been found, and all signs indicate that they’re Jade’s missing students. Despite Jade’s insistence that there’s not a new slasher in town, Banner isn’t so sure. As the day wears on, things are only going to get worse, and as the rules state, anyone can die this time around.

Stephen Graham Jones has knocked it out of the park with The Angel of Indian Lake. It’s a spectacular, gory finish to the series that instilled me with a love of slasher films. I’ve been a fan of Jones’ writing since I first picked up Mapping the Interior, and this book is a brilliant showcase of his skill. Setting the primary action over the course of a single night and shifting narration fully to Jade’s first-person perspective, he’s pulled all the stops and no punches as Jade breathlessly races toward her destiny. The time of Proofrock’s reckoning is at hand, and for Jade, it’s personal. Let’s go.

My utmost thanks to Saga Press and NetGalley for an eARC in exchange for a fair review. The Angel of Indian Lake is out today. Go get yourself scared.

There’s no family like found family. I adore found family stories, and I love sci-fi, and that means that L.M. Sagas’ debut novel, Cascade Failure, was right up my alley.

Jal is a mutant, genetically engineered to work in space mines. He’s stronger and faster than a normal human, and on top of that, he can see ridiculously well in the dark (though he needs to wear special tinted lenses any time he’s in standard lighting). He’s also on the run. The Guild, one of the three major powers in the galaxy, thinks he’s a deserter from his unit. All he wants to do is get back to his sister and niece, the only family he still has.

Eoan is an artificial intelligence. They’re the captain of the Guild ship Ambit, and because they’re an AI, they are able to take on jobs for the Guild that a lot of other captains won’t risk. Nash is a modified human who serves on the Ambit as combination medic and engineer. She keeps the old, rusty ship in the sky and keeps the crew on their feet. Saint is the big guy, equal parts brawler and pilot, and a former soldier who once served alongside Jal. Together, the three have been doing alright. When Eoan spots Jal skulking through a space station where the Ambit is docked, they decide to take a chance, luring him on board. After a brief confrontation, Jal reluctantly agrees to accompany them to the Guild’s council of captains so that they can try to clear his name.

On the way, the Ambit picks up a distress call. The source turns out to be a dead planet, where something has gone horribly wrong with the terraforming (or maybe horribly right). There, the crew finds a young engineer who believes that she has found evidence of a massive conspiracy between the two other galactic powers, the corporate Trust and the labor collective Union. She believes that she can fix the terraforming problem that killed the world she was found on. She’s going to need Jal, Saint, Nash, and Eoan’s help to do it, and stopping the death of more planets might just get them all killed in the process.

Sagas’ writing is strong, and the characters of Cascade Failure are solid, moving beyond standard sci-fi archetypes. It’s a fun and engaging sci-fi thriller that’s perfect for fans of things like Cowboy Bebop and The Murderbot Diaries. It’s out from Tor Publishing Group today, and I cannot recommend it highly enough.

My utmost thanks to Tor and Netgalley for an eARC in exchange for a fair review.

Once in a while, a book will come along that just surprises the hell out of me in the best way. The Last Bloodcarver is one of those books. The city of Theumas is heavily industrialized, pushing the limits of technology and science. Nhika is struggling to get by, peddling oils and herbs and generally posing as a healer. Thing is? She actually can heal people, reading someone’s body with a single touch to diagnose them. Nhika is a heartsooth, in the tongue of her people. The citizens of Theumas, however, fear the abilities she wields, and call her a bloodcarver. The power to manipulate a a body requires only energy and knowledge, and when Nhika has both, she can be deadly. However, she would far rather honor the memories of her lineage, her deceased parents and grandparents, and all the other heartsooths from the island of Yarong that have gone before her. Nhika is the last surviving member of her family, and to the best of her knowledge, the last heartsooth.

When a scam job goes wrong, Nhika ends up in the clutches of The Butchers, a gang of thieves who deal in rare animals. As far as they’re concerned, a proven bloodcarver is just that, and they plan to sell her to the highest bidder. That bidder turns out to be a 15-year old girl named Mimi. Nhika is whisked away from Butcher’s Row to an elaborate estate and introduced to Mimi’s brother Andao, the and informed that they are the children and heirs of one of Theumas’ leading tech magnates. Their father has died, and they suspect foul play. Only one man was witness to what happened to Mr. Congmi on the night he died, and that witness is now in a coma. It is with the desperate hope that he might have memories of the death that Mimi and Andao sought out Nhika and her abilities. If Nhika can heal him, he might be able to tell the siblings what actually happened to their father.

Nhika must soon begin to navigate the upper echelons of a society that would kill her for her talents, learning more about medicine and politics in order to blend in at the Congmi estate. How long she can keep her secret when the grounds are buzzing with people? Was Mr. Congmi’s death really just an accident? Is that doctor’s young aide flirting with her? Will she be able to find peace in her family’s traditions when everyone she loved is dead?

Vanessa Le has created an enthralling world in The Last Bloodcarver. Using her own Vietnamese heritage as a background, she’s wound magic and history together in an immediately engaging story. This book starts off fast and doesn’t let up. This is planned as book one of a duology, too, and I’m already looking forward to the follow-up work.

The Last Bloodcarver is out from MacMillan today. My utmost thanks to the publisher and Netgalley for providing an eARC in exchange for a fair review.

I read Premee Mohamed’s The Butcher of the Forest yesterday, and I’m pretty sure I’m not okay. It’s a fantastic novella, and that’s the problem. It’s too good, and now it’s done.

Veris lives in the valley that is ruled over by the Tyrant. She spends her days raising rabbits and helping her aunt and her grandfather with gardening and other tasks around the house. Most days, that would be more than enough, but today is not like most days.

Today, Veris was shaken out of bed by the Tyrant’s soldiers attempting to tear down her front door. Today, she was put into a carriage and taken to the Tyrant’s castle. Today might be the last day of her life. Last night, the Tyrant’s two children, Eleonor and Aram, vanished into the woods that lie north of the castle. Where the southern woods are often traveled by foragers and hunters, the northern woods are understood by the locals to be dangerous. No one who goes into the northern woods comes out again. Except, that is, for Veris.

Years ago, Veris ventured into those woods to rescue a child, and they both returned. Somehow, that information made its way to the ears of the Tyrant, and now he has had his soldiers drag her to the castle. Today, he has ordered her to find his children and bring them back home, or her life and those of her aunt and grandfather are forfeit. So it is with rapidly dwindling hope that Veris returns to her house to prepare. The northern woods are more dangerous than anyone other than her knows, and all she can do is try. Today, she will gather up her totems and supplies, and she will go to the woods. Today, she will risk everything she has in order to save it from the Tyrant’s whims. Today, she will try to save the children of a monster.

The Butcher of the Forest is quick and beautiful and painful as a knife through the ribs. Premee Mohamed has created a fairy tale to rival legends, with fae creatures and monsters and all the rules one must follow in order to survive. My utmost thanks to Netgalley and Tor Publishing Group for an eARC in exchange for a fair review. It’s available for purchase on February 27th, but if you can, preorder it through your favorite bookstore today. You’ll thank yourself.

Richard Swan’s Empire of the Wolf series caught my attention almost immediately when I first saw the cover of The Justice of Kings. It’s hard to miss a cover like that when you’re 1.) a fantasy fan and 2.) a library employee. I picked up the audio books via Libby last summer, when I realized that a second book was out, and now I’ve had the immense privilege of returning once again to the Sovan Empire with book #3.

The Empire of the Wolf is told from the perspective of Helena Sedanka, an orphan who was been taken in and trained by Sir Konrad Vonvalt, an Emperor’s Justice. In that position, he serves as travelling judge, jury, and when needed, executioner, carrying out the will of the courts wherever he may be. Helena acts as his legal clerk and apprentice, producing documentation of their efforts and learning the intricacies of the Sovan legal system along the way. For some time, they were both content to travel the northern reaches of the empire, but an encounter with a zealous church official, Patria Bartholomew Claver, changed everything.

Claver sought a return to the days when the Church of Nema controlled the powers now held by the Order of Justices: ancient magics that could be used to compel action, the ability to confer with the dead, command over wildlife. All of these and more had once officially been the exclusive realm of the church, but they had been taught to the Justices to aid their work. Frustrated by the lack of action from the majority of the Church, Claver found his way to darker places, making bargains with powers that he didn’t truly understand in order to bring about the change he desired. Now, he seems to have set his sights on control of the Empire itself, no matter what demon or deity he has to bargain with to make it happen. He sits at the head of an army of Templars poised to strike down the Emperor, ostensibly in Nema’s name.

Now, Vonvalt’s own unshakable faith in the Common Law is beginning to break. In his attempts to thwart Claver, he has become persona non grata, believed to be responsible for the death of the Emperor’s grandson. A rebellion against the Magistratum has reached its zenith, and the justices are by and large disbanded or dead. Vonvalt will find no safe haven in the capital. What he and Helena need most are more allies who can withstand Claver’s burgeoning Templar army. A journey far beyond the borders of Sova might be able to accomplish just that, but acquiring the aid they need may prove deadly. Such travels will need to be made not only on the material plane but in the various realms accessible only through the ancient magics. Helena and Vonvalt will place their lives and their souls on the line in order to defeat Claver, but it might not be enough to save the empire. Loyalties will be questioned, near-death experiences will be had, and trickster gods will play their hands at last. It’s going to be messy.

Richard Swan brings his fantasy trilogy to a powerful conclusion in The Trials of Empire. His strength in blending traditional elements of western fantasy with jurisprudence makes for compelling reading, especially for someone raised on Lord of the Rings and John Grisham like me. The Empire of the Wolf hews far closer to A Song of Ice and Fire than to LOTR, but the comparison stands. I have enjoyed this series more with each book, and I’m thrilled to say that The Trials of Empire is out on shelves today. You should check it out.

My utmost thanks to Orbit Books and NetGalley for an eARC of The Trials of Empire in exchange for a fair review.

It is a grim time to be a woman in Botswana. Nelah is a brilliant architect running firm that is struggling with finances. Her husband Elifasi is the assistant commissioner of police in Gabarone, but he lacks desired traits to gain further upward mobility. Neither of their positions is truly secure. Nelah’s body once belonged to a young criminal, and so her husband monitors her every action through a microchip embedded in the back of her neck, lest her body return to the illegal behaviors of its former occupant. If she violates a law, a drone will swoop in and capture her so that her consciousness can be imprisoned and her body can be given to the next person in the queue for a body hop. In the distant future of Tlotlo Tsamaase’s Womb City, the patriarchy has expanded its clutches to predicting crimes, with women being disproportionately convicted of potential crimes. Nelah struggles constantly under the oppressive eye of her husband and questions what happened to the original occupant of her body that caused the loss of one of her arms before Nelah’s consciousness was placed in it.

Nelah and Eli have a deeply troubled marriage. Not only must they contend with the potential of Nelah’s current body to revert to the criminal ways of its former host, but they also struggle with infertility (Nelah claims that she is referred to as The Black Womb in the aftermath of four miscarriages). Eli wants to be a father so that he can gain clout at work, and so he and Nelah eventually put more money than they can afford into an artificial incubator. While the allows them to successfully conceive, they now have the financial obligation hanging over their heads as well. Every morning, Eli reviews recordings from Nelah’s microchip, and her every move is closely monitored, recorded through her own eyes. Eli fears that the slightest indiscretion on Nelah’s part will cause him to lose his job, or at least fail to secure a promotion. With all of these threats to her own wellbeing, Nelah begins to look for any possible out. She soon rekindles an affair with Janish Koshal, a powerful businessman who provides her with a way to prevent the microchip from recording their time together.

When a drug- and alcohol-fueled drive results in the death of a young social media star at Nelah and Jan’s hands, however, everything changes. Nelah must find a way to navigate the perils of a crushing patriarchy, save her and Eli’s child, and confront a power that she may never truly comprehend.

Womb City is a brilliant, but difficult read. It’s heavy cyberpunk with strong elements of racial and gender equality. The language is immersive, blending Setswana words and phrases throughout the narrative and painting a picture of a future that should be so much better than it is. Tlotlo Tsamaase (xe/xer and she/her pronouns) has put forth a strong adult fiction debut for those who are willing to put in the time and effort. Be warned that it isn’t for the faint of heart, and pay heed to the content warnings xe placed at the beginning of the book, because there will be no punches pulled. I’m grateful to NetGalley and Erewhon Books for an eARC in exchange for a fair review. Womb City was released today, 1/23/24. Go check it out.

It’s January, and that means that it’s time for one of my favorite parts of the year. Yup! There’s a new Wayward Children novella out this week! I’ve been a fan of this series since Every Heart a Doorway came out in 2016, and the subsequent titles in the series have continued to break my heart and make me fall in love with Seanan McGuire’s writing over and over again. Mislaid in Parts Half-Known is the ninth full novella set in this collection of worlds (McGuire has written several short stories that flesh out some background details of characters as well).

It’s somehow been three years since the last time I reviewed one of these novellas for my blog, which I daresay is a disservice to my readers and friends (and those of you who overlap). I will include a caveat for this title for anyone who isn’t familiar with the series. This is book number 9. This is not a starting point. This book heavily references characters and events from the previous eight books.

Eleanor West’s Home For Wayward Children is a special kind of school, serving as a place for people who have found their ways into other worlds through magical Doors and then made their way back to Earth. The students are given three simple rules at the school, where they learn to adapt to a mundane life (and many wait for their Doors to appear again). “No solicitations. No visitors. No quests.” Rule number three gets broken a lot. In Mislaid, we again find Antoinette, or “Antsy,” our protagonist from book #8, Lost in the Moment and Found. Antsy has found her way to Eleanor’s school and is struggling to fit in (difficult to do when you’re 9 years old, but the magic of the Doors has aged your body to almost twice that) when several of her classmates discover her unique talent. After spending time in a shop of things that are lost from around hundreds of worlds, Antsy can find things again. Most notably for the students at the school, Antsy can find Doors. With sufficient concentration and certainty, she can locate a door to a world once inhabited by the other students. However, as she learned in Lost, the Doors take three days of your life for each one that you open (hence her appearance). She’s understandably hesitant to risk more time to open Doors for the other students.

Eventually, when one of her classmates threatens to force Antsy to find her Door for her, Antsy flees the school, in the company of some of the more adventurous (and friendly) students, Kade, Cora, Christopher, Sumi, and Emily. What follows is a whirlwind tour of worlds we’ve known existed but never visited (including Kade’s Door to Prism) and a lot of references to characters that we know from other earlier books in the series. These continuity nods are almost overwhelming, but serve to tightly pull many threads together in what may be one of the final novellas in the series, as Seanan has said that Kade’s book will likely be the end. While on the run, Antsy and her cohorts make their way back to the store where Antsy used to work, bringing her back into conflict with the shopkeeper who refused to tell her about the cost of opening the Doors.

Not everyone who comes to Eleanor West’s School for Wayward Children stays for long, and not everyone who leaves on a forbidden quest gets to come back again. Antsy leads her classmates through the Doors with the best of intentions, but some things (and some people) just have a way of getting lost.

Seanan McGuire remains one of my absolute favorite authors, and Mislaid in Parts Half-Known is a brilliant reminder of why that is. It’s out on store shelves today, so do yourself a favor and grab a copy. My utmost thanks to Tor Publishing Group and Netgalley for the eARC in exchange for a fair review.

Murderbot is back! Again!

Last time we saw it, publishing-order-wise, was actually a larger step back in time. Fugitive Telemetry took place in between Exit Strategy (book 4) and Network Effect (book 5). Now Martha Wells is following up the plot events from Network Effect with System Collapse, with Murderbot still dealing with the alien contamination that nearly wiped out a corporate colony.

At the outset of System Collapse, Murderbot is definitively not having a good time. Something redacted happened to it, and it is not about to talk to anyone about it. Not its humans, not ART (Asshole Research Transport) or ART’s humans, and not Three, the new rogue SecUnit that’s following in its footsteps toward independence. The struggle against the contaminated humans and the malicious code that infected them has left a mark on Murderbot. To make things worse, that fight may not yet be over. A hidden colony on the same planet has been located, and there’s a possibility that the same alien contamination might have infected it. Murderbot’s humans have decided that they need to investigate, since attempts to contact the colony have gone unanswered.

A rival corporation, Barish-Estranza, already has designs on the planet, regardless of any contamination that may be in place, and finding a group of colonists that they could force into indentured servitude would be icing on the cake. It’s up to Murderbot to find the colonists (if they’re alive) and get them off-world before that can happen. Its performance levels are not anywhere near its standards, and it knows it, but redacted continues to get in the way of it doings its job properly, to the potential risk of its humans. Resources are limited (no armor, less than half of its usual complement of support drones, and no direct communication with ART’s full set of sensors) and its own growing paranoia may just get the better of our favorite rogue SecUnit.

Martha Wells is one of my all-time favorite science fiction writers, and the Murderbot Diaries remain one of the best modern series in the genre. System Collapse is a tight, intense narrative that reminds us just why we love to follow Murderbot’s internal monologue, and why we’ve done so for seven books now. It’s full of corporate criticism and mental health crises, and I absolutely loved it. It’s out in the world today, and I’m incredibly grateful to Tor.com and NetGalley for the eARC in exchange for a fair review.

Travis Baldree is a master of cozy fantasy novels. Prior to reading Legends & Lattes last year, I never would’ve guessed that was a genre of fiction I needed. Now, though, I don’t know how I can carry on without more. Thankfully, Bookshops & Bonedust, a brilliantly crafted prequel, is out today.

Viv the orc is back, and this time around we get to see her in her more wild, young adventurer years. She’s in the employ of a mercenary band called Rackham’s Ravens, hunting down the dreaded necromancer, Varine. When her recklessness gets her injured during a battle, she wakes up in the town of Murk. As its name might suggest, there’s not a lot to see about town, and her room at the local inn is claustrophobic at best. Her arrival quickly puts her at odds with the local surgeon and the head of the gate wardens, and all early encounters promise a less than engaging stay. With at least a few weeks of recovery time ahead of her, Viv reluctantly sets out to occupy her time until her fellow mercenaries come back through.

Viv quickly finds a local bookstore and makes the acquaintance of Fern, a foulmouthed ratkin who runs the shop. Not normally the reading type, Viv is hesitant to take up the recommended titles that Fern offers. After a few chapters, she’s hooked. Soon, she’s devouring the books that Fern provides just as quickly as she’s going through the local baker, Maylee’s, wares. Despite a rough start in town, Viv starts to build friendships (and maybe something more, as far as Maylee is concerned). Fern’s struggling business benefits from Viv’s new perspectives, and Viv gets the opportunity to learn more about herself than she’d previously thought possible.

Small-town living isn’t necessarily all that it’s cracked up to be, though. Viv isn’t ready to settle down from her mercenary life just yet, and the threat of Varine and her necromancy is closer than anyone is expecting. We know, since this is a prequel, that Viv will survive the experiences ahead of her. What we don’t know is just how much she’s going to change over the course of her time in Murk. The fates of her new companions are on the line, as is the success or failure of Fern’s beloved indie bookstore. Viv is going to have to learn quickly that not all of her problems can be solved with a swing of a sword.

Baldree has landed another instant winner with his sophomore effort, with no sign of the dreaded slump. I’m happy to report that he’s managed to put the romance in necromancer, and I eagerly await Viv’s next adventure, whenever it may arrive. Bookshops & Bonedust is out today. Get to it.

My utmost thanks to Netgalley and Tor Publishing Group for providing an eARC in exchange for a fair review.

I love The Cardboard Kingdom, folks. What’s not to love about a collaborative graphic novel that showcases kids learning cooperation and creativity? It’s a perfect match, really. Well, this year is going to see the release of Snow and Sorcery, the third book in Chad Sell’s brilliantly illustrated series. This book, like the others, is a collaboration between Sell and other writers, including Katie Schenkel, Jasmine Walls, and Manuel Betancourt.

It’s winter, and changes are coming to the Cardboard Kingdom. The neighborhood kids face an unexpected interruption of their community-wide imaginary world when three new kids from the other side of the park show up, and one of their own long-time friends finds himself now living behind enemy lines. With intentions and loyalties being called into question, the Kingdom is at risk of complete collapse. Tempers are running hot and the snowballs are flying fast, and the reality of change may be the greatest threat the kids have ever faced. Imagination and friendship hold the Cardboard Kingdom together, but those bonds are being strained.

Like its predecessors, Snow and Sorcery is fully illustrated by Chad Sell, who manages to capture the beautiful shift between the actual cardboard costumes the kids assemble and their imagined selves. It explores the relationships between a remarkably (and realistically) diverse group of children from different backgrounds, different family structures, and more. It’s a beautiful blend of humor, drama, and heart that, despite my best preparations, still managed to get me to cry at several points. In the Cardboard Kingdom, after all, everyone can be who they want to be.

The Cardboard Kingdom: Snow and Sorcery comes out on Tuesday, November 7th. I cannot recommend it highly enough.

My utmost thanks to NetGalley and Random House Children’s for providing an eARC in exchange for a fair review.