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It’s all the fault of my literature professors. I fell in love with the beat generation several years ago. I was introduced to people like Allen Ginsberg, William S. Burroughs, and their numerous contemporaries. When I first read “Howl” in my American Literature class, it didn’t really click with me. Then we listened to Ginsberg reading it. It was a lightbulb moment. My entire concept of what poetry was and what it could be was completely inverted. I’d never heard anything with that kind of, well, beat, to it before, and I’d certainly never heard any poetry that was willing to take on the subject matter it did in such a bold fashion. I couldn’t believe it had been published in the 50s, and that was before I learned that Ginsberg stood trial for obscenity for the poem. Not that he was the only author who’d ever faced that kind of censorship. No. Like so many others, Ginsberg was merely ahead of his time. Want to see something amazing? Check out the movie “Howl,” which stars James Franco as Ginsberg, and discusses Ginsberg’s life at the time of his trial.

Some people would say that beat poetry died, or at least was phased out, in the 60s. I would disagree, thanks to the various poetry slams I’ve attended in the last few years, and also thanks to things like Tim Minchin‘s “Storm.” A good friend of mine showed me this the other day, and I can’t help being impressed by the brilliance of the writing and the tone of the poet as he reads it. Looks to me like the Beat Generation is still alive and well.


  1. Beat poetry is alive and well. Our school had a slam poetry team, and we collaborated with them for our senior drama production, they acted as the narrators, introducing each decade with original poetry.

    • I’m glad to hear that! We’re doing our best to keep things rolling in the Springs, too.

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