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Spooky times call for spooky stories, and few times are spookier than the week of Hallowe’en. So it is with great pleasure that I present my review of Don’t Let the Forest In, a young adult novel from CG Drews. Don’t Let the Forest In is a psychological horror novel set in a prestigious boarding school, Wickwood Academy. It’s there that Australian-born twins, Andrew and Dove, first met Thomas. This is the trio’s senior year, but even on the first day back, everything seems to be going wrong.

Dove and Andrew have been fighting before they even arrive at the school, and all Andrew wants to do is find Thomas so that the three of them can resume their standard undefeatable crew behavior. Thomas is acting oddly, though, even for him. He seems more on edge than usual, there’s blood dried on his shirt, and he’s not talking to Dove. Previously, Andrew would write stories to vent his darker side. Thomas would illustrate them. Dove would serve as the boys’ connection to the real world, anchoring them and helping them through their academic struggles. Now, police are showing up to question Thomas about his parents’ whereabouts, and Andrew doesn’t know if he can even trust his twin. He doesn’t want to alienate Dove by discussing the way he feels about Thomas, he doesn’t want to risk losing Thomas by admitting that there may be more than just friendship between them, and he really doesn’t want to think about the possibility that Dove and Thomas are already engaging in a more serious relationship.

As the year grinds on and Thomas seems to be more exhausted, though, a secret comes out. He’s been sneaking out of the school into the woods at night to fight monsters, his own drawings come to life. The darkness within Andrew’s stories spilling from the pages of Thomas’s sketchbook now threatens everyone at Wickwood. While Andrew volunteers to go out in the dark to do battle alongside Thomas, it doesn’t seem like it’s going to be enough. Even destroying the sketchbook doesn’t stop the horrors from tumbling out into reality. Andrew already knows he would kill to protect Thomas. If it comes to it, could he kill Thomas in order to save Dove and the rest of his schoolmates?

Don’t Let the Forest In is a fantastically dark adventure, and I’m ridiculously grateful to NetGalley and MacMillan for sending me an eARC in exchange for a fair review. It’s out in the world as of yesterday, October 29th, and is an absolutely perfect Hallowe’en read. Go get it.

Anequs is a young Indigenous woman born and raised on the island of Masquapaug, far from the colonizing influence of the Anglish people. After spotting a Nampeshiwe, one of the dragons once common in the area, she quickly goes home to tell her family what she has seen. Uncertain if it was really there or just a vision, she ventures back out the following day and finds not the adult dragon, but a Nampeshiwe egg—the first one seen in generations.

When the baby Nampeshiwe hatches in front of the entire community of Masquapaug, she chooses Anequs to be her bonded partner. Anequs names her Kasaqua and becomes the first Nampeshiweisit (dragon partner) in the memory of anyone on the island. Now Anequs would’ve been perfectly content to stay in her family home and raise the dragon there until Kasaqua, in a moment of fear and pain, releases her breath weapon. Seeing the raw destructive power even a baby dragon possesses convinces Anequs to follow her older brother’s advice and apply for Kuiper Academy, the Anglish dragoneer school in the distant city of Vastergot.

Soon, Anequs is off to another world, one where the white men control everything from how history is taught to who gets to be paired with a dragon. The school accepts her application, but the threat of death for Kasaqua if she can’t learn to be tamed to their standards looms over everything.

Anequs doesn’t fit in at the school, since she wasn’t raised in Anglish society. She doesn’t know the rules that she’s supposed to follow, and so she rapidly befriends the other “misfits” of sorts, including an autistic student (in one of the most accurate and sympathetic portrayals I’ve ever encountered in literature), the one other Indigenous dragoneer, and one of the laundry maids. She spurns the use of the assigned surname Aponakwesdottir, insisting that the only name that she needs is Anequs. She can read and write, which is more than many of the white students and professors expect of her. In short, neither Anequs nor Kasaqua are what the students and staff and Kuiper anticipated. Nor is the school what Anequs had hoped for, with the narratives and views of white men dominating every aspect of the society. Now she must navigate adolescence, dragon-rearing, school, and an openly hostile culture that would prefer her not to exist.

To Shape a Dragon’s Breath is brilliant. The world is simultaneously strange and familiar, set on an Earth in the early industrial age with technological innovations driven by dragons, who can break matter down into component elements with their breath. The breadth and depth of the worldbuilding is staggering, with tremendous care put into the little details. The scientific processes are as thoroughly explored as any contemporary fantasy’s magic system, with almost every aspect having a real-life counterpart. I loved following Anequs as she learned about the world beyond the boundaries of her island, and I can’t wait to come back to the world of the Nampeshiweisit.

Moniquill Blackgoose’s To Shape a Dragon’s Breath is out in the wild today. Go catch yourself a copy.

My utmost thanks to Random House/Ballantine and NetGalley for providing me with an eARC of the book in exchange for an honest review.