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It should be well known at this point that I love haunted house stories. Arkady Martine’s new novella, Rose/House is no exception to this.

In China Lake, California, legendary architect Basit Desiau built his masterpiece. Rose House is an advanced artificial intelligence that is fully integrated into the entire structure of a solitary house built out in the desert, some distance from the town proper. The locals refer to it as a haunt, as the AI within Rose House permeates through the whole building.

There is a dead man inside Rose House. That has been true for a year. Desiau arranged for the house to take the carbon that remained in his body after his death and compress it into a diamond, which the house then put on a plinth for display. In that respect as well, Rose House has always been haunted.

Now, though, there is another dead man inside Rose House. That shouldn’t be possible, as the only person in the world who was supposed to be able to access the labyrinthine house and its collection of Desiau’s archived work was on the other side of the world when he died. Dr. Selene Gisil, a former student of Desiau’s, is the only living person allowed inside Rose House. Her permissions, set by Desiau before his death, are to ensure that she remains the sole human caretaker of his notes and unpublished works. Despite having publicly distanced herself from Desiau before his death (and diamond-ification), Gisil is still the person he wanted to serve as seneschal.

Twenty-four hours have passed since this mysterious man died, and so Rose House has fulfilled its obligation by notifying the China Lake police precinct, in accordance with its programming guidelines. In order to get inside to examine the decedent, Detective Maritza Smith must track down Gisil and convince her to come back to the United States. There’s no one else that Rose House will allow inside, dead body or no. But who is the victim? How did he get inside Rose House to begin with? What is really happening out in the middle of the Mojave?

This is the first of Arkady Martine’s works that I’ve read, and I was very impressed with my first foray into her writing. Rose/House is a tight, tense narrative with little room for embellishment that you typically encounter in similar, albeit longer, works. All of our narrators get a little time to shine, and will leave you questioning what any of them really saw or did. I’ll definitely be looking into A Memory Called Empire in the near future if this book is at all indicative of Martine’s writing. My utmost thanks to Tor and to NetGalley for an eARC in exchange for a fair review. Rose/House is out in the world in hardcover tomorrow, 3/11/25. Go grab a copy, and let it grab you.

Gallant is the tale of a young orphan girl named Olivia Prior, and the ghouls that she can see. Olivia lives at Merilance School for Independent Girls in London, and she has no idea who her parents were, or why she was left there. Her only connection to her heritage is a journal that once belonged to her mother, filled with notes that seem to slowly veer into madness as they go on. “I’m so sorry I don’t know what else to do…you will be safe as long as you stay away from Gallant.”

Born without a voice, Olivia communicates via sign language (and occasionally writing, but she rightly refused to wear a chalkboard around her neck). Her inability to speak and the refusal of others to learn to sign has caused her more than a few conflicts with the other students and the matrons at school. Her only real companions at Merilance are the ghouls, partial shades of the dead who linger in our world. While she’s the only one at the school who seems to realize they’re there, they do not speak to her, and vanish from her view when told to go away.

Then one day, everything changes when a letter from an unknown uncle arrives for Olivia. “You are wanted. You are needed. You belong with us,” it reads. She is whisked away from Merilance by a driver who was sent to take her to the family home, Gallant, far from London. There, she meets her cousin, Matthew, and finds that her new home is also filled with ghouls. Ghouls that look like the family portraits hanging in the hallway. And there’s the issue of the mysterious, crumbling wall at the back of the garden, and the iron door that is set in the middle of it. There are many secrets held by Gallant, and Olivia’s mother’s journal ended with warning her to stay away.

The far side of the wall has more in store for her than she ever could have imagined, for there, Olivia finds a dark echo of the grand house. This shadow of Gallant is crumbling, and the master of the house is hungry for something only a Prior can provide. “Do you know what you are, Olivia Prior? You are amends. You are a tithe, a gift, and you belong to me.”

Gallant is an absolutely phenomenal Gothic fantasy, showcasing Schwab’s talents at writing for younger audiences. I loved every minute of it, and I’m very grateful to NetGalley and HarperCollins for the eARC in exchange for an honest review. It’s out in the world as of March 1st, so go grab a copy!