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Monthly Archives: July 2024

L.M. Sagas won me over earlier this year with the spectacular sci-fi/found family novel Cascade Failure. Today, she’s back with a sequel!

It’s been a few months since the events of Cascade Failure and the Guild crew of the Ambit have been spending their days watching over Drestyn, the agitator who’s quest for revenge led to the events of the first book. While they anonymously leaked a large number of Trust records in the aftermath, their captive still holds many more. So as Jal is recovering from his injuries, Saint, Nash, and Captain Eoan help out with the security shifts that monitor the Guild’s prison cell. Should be an easy detail, but nothing is ever as easy as it should be.

The day that Drestyn is transferred from the Guild station, Saint and Nash are led on a chase through the underbelly by none other than Jal. Turns out that some of Drestyn’s buddies have a plan to break him out, and that starts with kidnapping Jal’s sister. As soon as Jal breaks the news to the rest of the Ambit crew, they set off to find the kidnappers, with Jal’s niece in tow. Our lovable found family of misfits may even have to save Drestyn himself along the way, lest the secrets he holds do more harm.

Like its predecessor, Gravity Lost is a great ride. It’s fun, creative sci-fi with nice modern pop culture nods here and there that help it feel grounded in our reality. It’s a solid and successful follow-up, and helps to better build out the universe that Sagas introduced us to earlier this year. Go check it out for yourself. Gravity Lost was released on Tuesday, 7/23. Thanks to Tor and NetGalley for an eARC in exchange for a fair review.

There is a great evil approaching. The last Guardian of the West Passage is dead, and rather than officially naming her apprentice as her successor, she used her last words to give him a single command. “Tell Black it’s coming.”

Kew should have been named as the next Hawthorn of Grey, the new Guardian, the most recent of a long line of people to hold the name and the title designating him for duties not fully understood in living memory. Now he must make the journey from the Grey Tower to the Black Tower in order to pass along his teacher’s message. If he can accomplish this, then he might prove himself worthy of recognition as a Hawthorn, taking the place he has been training for all his life.

Pell is an apprentice to the Women in Grey, an ancient order who exist to provide funerary care to the other people of the city. When Hawthorn is brought to the women for her funeral, Pell briefly crosses paths with Kew and sneaks away with a book that Hawthorn had in her possession.

The first indicator that something is wrong occurs during Hawthorn’s services, when her funerary mask is accidentally broken. Between that and the theft of the book, Pell begins to fear that her actions are bringing time itself out of alignment, with snow beginning to fall in what should be the middle of summer. Rats are pouring out of statues, and none of the women can be bothered to guess if something is truly amiss.

Jared Pechaček has created a somehow vibrant ruined world, reminiscent of Gene Wolfe’s Book of New Sun, blending things both magical and technological and decades or centuries past their prime. Frankly, I love worldbuilding that deliberately hides or doesn’t worry about how everything works, leaving plenty of mysteries in place. A massive palace ruled over by the Ladies (mysterious and powerful giant beings) serves as the setting for the entire novel, and it’s filled with ominous creatures as well as new allies for Kew and Pell as they go their separate ways to set things right.

The West Passage came out on Tuesday, 7/16, and it’s an absolute joy of a novel. It’s weird and truly fantastic, and I can’t wait to see what Pechaček does next. My utmost thanks to Tor and NetGalley for an eARC in exchange for a fair review.

Hey, look! There’s a new Stephen Graham Jones book out!

I mean, naturally, I picked it up for review, so here we are.

I Was a Teenage Slasher is the story of Tolly Driver, a 17-year-old boy in the small town of Lamesa, Texas. While not a stunningly popular kid in his school, Tolly is largely unremarkable before everything goes wrong at his classmate Deek’s party. Before that night, he was known mostly for his deathly peanut allergy and for the tractor collision that killed his father. It’s the summer of 1989, and all hell is about to break loose.

See, another student who was trying to fit in with Deek’s gang died during a hazing ritual. In true slasher fashion, he rises from the dead and comes back for a roaring rampage of revenge, meting out justice to all of the other high schoolers who didn’t prevent his death in the first place. In the aftermath of that encounter, Tolly ends up getting some of the killer’s blood into an open cut on his own forehead. Now things are getting weird. Vehicles fail to start when he’s around. The kitchen knife makes an audibly sharp SHTING sound when pulled from the wood block, but only when he does it. Is Tolly Driver the new killer?

I Was a Teenage Slasher isn’t the first time Stephen Graham Jones has tackled horror from the killer’s perspective. This is his wheelhouse, after all. He plays with classic slasher movie tropes much as he did in his Angel of Indian Lake Trilogy. This time, though, we’re dealing with a delightfully reluctant killer who gradually becomes aware of what’s happening to him, but unable to stop himself. After all, he’s not the final girl. No matter what, he’s definitely going to be notable now.

My utmost thanks to Saga Press and NetGalley for an eARC of this one in exchange for a fair review. I Was a Teenage Slasher is out in the world as of yesterday, 7/16/24. Run out and get it. Just… watch your back.

In which Chuck Tingle goes to Hollywood.

Misha Byrne is a screenwriter, and he’s just locked in his first Oscar nomination. He’s also gay, and executive meddling is on the cusp of forcing him to kill off the two queer leads of his latest TV series. Nearly four seasons of wildly successful X-Files-esque television, and he’s finding his work being subject to one of the oldest tropes in fiction: bury your gays. For Misha, this is particularly egregious, as his favorite childhood show fell victim to the same treatment years before. However, if he doesn’t go along with the studio’s plans, he’ll be in breach of contract and lose his job, and potentially any chance of working in Hollywood again.

Then, things start to get weird at the studio lot. Raymond Nelson, one of the oldest working animators at the studio, is crushed by a piano in an ironic echo of a cartoon death. Not long after, Misha spots a character from one of his horror films while walking out of a bar. This omen warns him that he has only five day to live, a timeline that coincides with the night of the Academy Awards ceremony. Soon, more of his horror characters begin intruding into his life, and he’s forced to face the very real traumas that shaped his career (and are threatening his boyfriend). Will Misha succumb to studio pressure by Oscar night, or will he fall to a twisted version of one of his own creations?

Chuck Tingle is absolutely killing it in the horror genre, y’all. Bury Your Gays is littered with little nods to actual Hollywood staples, all while carefully avoiding name-dropping any specific real world studio. Tingle builds phenomenal tension and intersperses some clever screenwriting aspects between segments of the story. This is a brilliant follow-up to last year’s Camp Damascus, and further solidifies Chuck as a horror writer of note. My utmost thanks to Tor Publishing Group and NetGalley for an eARC in exchange for a fair review. Bury Your Gays is out as of yesterday, 7/9/24. Go get it.